'India has superheros too.' 'They are super soldiers who don't wear their underwear outside their pants.'
Ram Setu is just silly and boring, sighs Deepa Gahlot. Ram Setu Review
Ant-Man and the Wasp: Quantumania falls short of the signature Marvel magic, says Mayur Sanap
Hopefully, Hindi and non-Tamil audiences that have been patronising gangster movies from the South will give this fabulous looking historical a chance, says Deepa Gahlot.
The Filmfare OTT Awards honoured the cast and crew of OTT movies and doffed their hat to their talent and hard work.
Quite a few big movies are coming your way in theatres this November.
What makes Har Har Mahadev consistently watchable are the solid performances from its stellar cast, applauds Mayur Sanap.
Deepa Gahlot picks the top 10 Karan Johar films -- some that he directed and others that he produced or co-produced -- that you can watch on steaming platforms.
Gangubai Kathiawadi dominated the 68th Filmfare awards, held on April 27 in Mumbai, as it picked up 10 awards including Best Film, Best Director for Sanjay Leela Bhansali and Best Actress for Alia Bhatt.
Ranbir Kapoor's superhero movie Brahmastra has been in the making for such a long time that even he is tired of the delay.
Emraan Hashmi's latest outing is NOT worth watching, complains Namrata Thakker.
John Abraham is impressive in Attack. Sadly, the story is not, notes Namrata Thakker.
As 2022 readies to bid adieu, Sukanya Verma raises a toast to the 10 high points of the year.
As many as six major films are set to arrive in theatres even as OTT continues to thrill us with new content.
Watch this dream come true for Mani Ratnam and cinema on the largest screen possible, insists Sukanya Verma. Ponniyin Selvan: 1 Review
Besides Mohit Chadda and a potentially great concept, Flight has barely anything that is worthy of a watch, feels Prateek Sur.
'2.0 is an expensive film, but but every penny is justified.'
Full credit to Ayan Mukerji for venturing into the 'Astraverse', says Deepa Gahlot.
Shamshera's problem is a shocking inability to support its bombastic ideas with gripping drama. The result is the wastage of not one but two Ranbir Kapoors, observes Sukanya Verma.
Akshay Kumar plays the part with enthusiasm, like he was just waiting to get into the costume of a historical hero, observes Deepa Gahlot.
Brahmastra is a work of star-struck ambition and high-octane energy whose razzle-dazzle hits many happy notes, observes Sukanya Verma.
'We need to be proud of our Maratha history and should be ready to tell the world our stories and not just keep them limited to Maharashtra.'
'Himanshu (Sharma, writer) and I went to Khansaab with the idea and the structure, not the complete bound story.' 'We wrote that after spending some time with him, understanding him.' 'In the same way, he was understanding me too.' 'So by the time we touched the floors, we were making the same film.'
Even though the plot is not extraordinary, the sheer canvas on which this movie is mounted and the VFX is worth the money, applauds Imad Baig.
Joginder Tuteja looks at forthcoming films inspired by the Ramayan.
In what is amongst the first focused fund in the space, India Media Entertainment Fund (IMEF) is raising Rs 500 crore, which will provide both equity as well as instruments like non-convertible debentures (NCD) to companies in the content, distribution platform and services areas. The private equity fund has appointed a high-profile advisory body which includes ad guru Prahlad Kakkar, managing director of Red Chillies Entertainment and cricket team KKR Sports, actress and entrepreneur Raadhika Sarathkumar, who has starred in Malayalam, Hindi and Kannada films and runs Radaan Mediaworks. It also includes Ramnath Pradeep, former chairman and managing director of Corporation Bank, and Rajesh Gupta, senior partner of law firm SNG Partners.
Joginder Tuteja goes back a decade, and looks at the big movies that flopped from 10 years ago.
Had the drama been sustained through the two-hour narrative, Bhavai would have had more impact, feels Joginder Tuteja.
Runway 34 is a clumsy cocktail of Hollywood movies spiked with the Bollywood brand of God complex, sighs Sukanya Verma.
'That the people who matter are the ones who loved you and stood by you when you were not famous or successful.'
Bhuj: The Pride of India: Pearl Harbour on a dollar store budget, notes Sukanya Verma.
As much as we enjoy and write reams and reams about our amazement at the Kantara climax, 30 years on from now, will we remember these portions more fondly or the ones where Shiva is simply hanging out with his friends, mulls Rohit Sathish Nair.
'It serves the purpose of entertaining the audiences and distracting them from the reality for at least two hours.'
The Filmfare OTT awards 2021 were held at Mumbai's Taj Lands End hotel, and the big winners of the night were quite expectedly, Scam 1992 and The Family Man 2.
