Salim-Javed's speciality was conjuring the kind of violence that played on your mind rather than the sort that played out only in front of your eyes.
'My parents once went to watch Rajkumar Kohli's Insaniyat Ke Dushman. In the film, I "rape" Anita Raaj. My father was very upset. My mother left the theatre. Years later, my father asked me to do a positive role with a heroine like Hema Malini. Unfortunately, I never got to do that. I played her brother-in-law in Satte Pe Satta. Now in Ramesh Sippy's Shimla Mirch, I am romancing her but my father is not alive to see it.' Shakti Kapoor, straight from the heart.
Pavan Malhotra, one of our finest actors, shows us another side of Bollywood.
Jo Jeeta Wohi Sikandar masterfully weaves a compelling human story, says Sukanya Verma.
The gulf between Hindi cinema's finest current actor and his contemporaries widens with each film. But even Irrfan Khan, in Mick Jagger's words, can't always get what he wants. Raja Sen tells us why that's not a bad thing.
India's foremost ad guru, award-winning lyricist, and scriptwriter turns 46 today.
'I don't know how they dared to send Krrish for a National Award. It was a horrible film! Films like Dabangg and Bang Bang are trash films. Goliyon Ki Rasleela: Ram Leela was so bad; only the music was good. Straight talk from Garm Hava director M S Sathyu.
