Here's what went down in the curtain raiser episode.
A time comes when the distance between words and meaning becomes unbridgeable. Or, words become shells, which hide the real intent of the speaker. To understand how language works in the case of a person like the present prime minister, you'll have to analyse the way language is practiced by the RSS, says Apoorvanand.
Sreehari Nair wasn't impressed with Rangoon at all. But find out which film tops his list!
'When Sultan released, I got greedy. I decided to make another film with Salman because he gets me a lot of box office.'
'Nationalism has been defined for us. It is what the BJP and Modi bhakts decide, not me, you or Salman Khan. If you don't agree with their view, you are a Pakistani agent and an anti-national. Period. No more argument. The discussion ends there.'
As far as the opening episode of Bigg Boss 9 goes, it relies heavily on its superstar host's impish impulses to prevent it from being a complete slog, write Sukanya Verma.
We bring you glimpses of the Raksha Bandhan moments in Bollywood.
Putting together a play about the Father of the Nation is no easy task. But when that play is a musical, the challenges increase.
No tears were shed in the court-room when the superstar was convicted in a hit-and-run case. But there were plenty of Bollywood moments, reports Syed Firdaus Ashraf/Rediff.com.
Here was an Indian like you and me, who reached the country's highest office without compromising on his integrity or values. Here was a politician who was not a Muslim, or Tamil, or a boatman's son -- but an Indian president, who opened his office to all Indians, says Sriram Karri.
Syed Firdaus Ashraf/Rediff.com examines how Salman Khan went from a reviled, spoilt Bollywood brat to being a well-loved superstar.
Sreehari Nair explains why Haraamkhor may just be the most liberating Hindi movie made since Hazaaron Khwaishen Aisi.
'People think Salman is ready to remove his shirt for small things but it takes a lot to convince him to take that shirt off.' Sultan director Ali Abbas Zafar tells us what to expect from his film.
Lawyer and scholar Vinay Sitapati says the 'Get Modi' strategy largely misses the efforts to prosecute people evidently guilty of violence and murders in the Gujarat riots in favour of "a narrow quest to stop one man from becoming prime minister."
Did the human drama provoked by the Japanese invasion of Burma and the Indian exodus from Rangoon inspire director Vishal Bhardwaj's forthcoming epic?
'While they are a long way off from the box office muscle that the Khans enjoy, a host of young stars are entering the Rs 100 crore club that was earlier the reserve of the seniors. This year will see a lot of young stars in action.'
'Muslims and Dalits must erase the way they remember their past, or carry out their their performances in private,' says Jyoti Punwani, as Maharashtra's Censor Board denies permission to a play Jai Bhim, Jai Bharat.
'I don't say no to Salman Khan. He is a very important part of my life. He is my in-case-of-emergency-please-contact person,' Nikhil Advani tells Patcy N/ Rediff.com
'India stands on the broad shoulders of an extraordinary civilisation. In some ways it is quite surprising that it hasn't fully embraced the power of that.' 'The prime minister speaks about Make in India. Let's remind ourselves also of Made in India. What made India great. What are the great things of the past which will help us make India even greater.' 'India stands on the broad shoulders of an extraordinary civilisation. In some ways it is quite surprising that it hasn't fully embraced the power of that.'
'The standing ovation in Cannes was a rare moment where I felt patriotic. I realised that the audience was not clapping for an individual but for the team that came from India with such a beautiful film.' Masaan's leading man Vicky Kaushal takes us through its making.
'Most of the time we do close-ups you'll be looking at the camera or your main lead, your leading lady, is left of the camera, right of the camera -- she's never there. So, your best close-ups are looking at some unfortunate-looking assistant director or a cameraman. All the romantic close-ups I'm looking at some guy.' Salman Khan tells P Rajendran/ Rediff.com how he shoots his romantic scenes.
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