Death On The Nile doesn't have a tense narrative that would have made it an edge-of-the-seat affair, observes Joginder Tuteja.
Vinod Mirani gives us the weekly box office verdict.
Vinod Mirani gives us his weekly box office verdict.
'All the guys in this country were stuck in the 'alpha' for the longest time.' 'They were told not to cry, be the man in the house.' 'I wanted to touch upon that vulnerability and innocence that is still alive in men.'
A look at the menu for 2018's Oscars Governor's Ball.
One of the most attractive things in a movie romance is to watch two people fall in love over a date or two.
They exchanged wedding vows as per Catholic tradition at the Umaid Bhawan Palace in Jodhpur.
Here are our top 10 moments from this year's Oscars.
The Lone Ranger does provide more than a handful laughs but takes too long to get to the point, making you wish you'd left it alone.
#TimesUp, folks!
'Despite its noble attempts, tight editing, terrific sound design, good performances and a compelling story, Hotel Mumbai tells a big lie.'
The Man From UNCLE is as lovingly tailored as they come, says Raja Sen.
Here are Aseem Chhabra's picks -- 'films that mattered to me, entertained me and will stay with me through the year.'
Aseem Chhabra gives us the top films that enriched his year.
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