A beautiful documentary from Delhi. A shocking satire that spares no one. A thriller about a serial killer in Iran. A Pakistan film about family secrets... Aseem Chhabra lists the best films he saw in Cannes.
Vanraj Bhatia, the creator of unforgettable music, hated the fact that the 'New Wave' directors did not respect Hindi cinema's multi-song format.
'The politics of it may be wishy-washy and the saviour at Darkest Hour's centre may well be a racist, an imperialist, and an alcoholic, but in Gary Oldman's nimble skin, smacked in layers and layers of prosthetics to resemble the heavily-jowled, cigar-smoking, portly penguin-like demeanour of the British Bulldog, it pretty much screams, "And the Oscar goes to"...' notes Sukanya Verma.
Angelina Jolie's tangled love life!
And other top moments from the closing of the 70th Cannes Film Festival.
A look at the top posts on social media from your favourite Bollywood celebrities.
Find out how Will Smith fought all adversities to come out a winner in Pursuit of Happyness.
'My journey as an actor started to evolve when Web series started blowing out in a big way.' 'I lucked out because Inside Edge was one of the first big shows so that gave me a good platform, and led to more opportunities.' 'Web series have an ensemble star cast, and the characters are well written.' 'It's not only about a hero or a villain.'
Every single one of Parinda's magnificent frames is a masterclass in slick. Sukanya Verma tells us why.
'You need to be very passionate towards life, not because you are a film-maker, but because you are a human being.' 'If you can do that, then I think it reflects in the films that you make.'
What you need to know about M S Sathyu's classic Garm Hawa.
Bombay Velvet spends too much time on period details and loses focus, notes Aseem Chhabra.
Aseem Chhabra salutes the late Italian Master and his cinema.
We bring you glimpses of the Raksha Bandhan moments in Bollywood.
Director Shanker Raman, with an appetite for noir and a natural temperament for fast-cutting, takes you so swiftly and so deeply inside Gurgaon's anomie that you may mistake his vision of the city for some dystopian view of the future, feels Sreehari Nair.
Martin Scorsese's The Wolf Of Wall Street could set a bad precedent, feels Aseem Chhabra.
Here are Aseem Chhabra's picks -- 'films that mattered to me, entertained me and will stay with me through the year.'
We're behaving like frogs in warm water. We swim around untroubled, cooled by our faith in Indian liberal democracy. We are blind to the bubbles popping around us, the bubbles warning of fundamental changes, says Mihir S Sharma.
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