It is a pleasure watching Pankaj Kapur and a radiant Dimple Kapadia, two outstanding actors effortlessly portray complex emotions in Jab Khuli Kitaab, raves Deepa Gahlot.
Try as it might, Who's Your Gynac? is just not funny, complains Deepa Gahlot.
'He has never offended anyone in spite of his criticism on Communism or any 'isms'.'
'We should want Saiyaara, Pati Patni Aur Woh Do, Animal and Dhurandhar to coexist. Let the audience decide what they connect with.'
Cockroach Janata Party, which according to Dipke had 201,000 followers on X, came about following a controversy over Chief Justice of India Surya Kant using "parasites" and "cockroaches" while pulling up a lawyer for his plea seeking senior designation.
Tovino Thomas storms into Athiradi like a one-man festival riot, turning this colourful campus entertainer into a loud, chaotic and mostly enjoyable ego clash.
Ashish R Mohan's Daadi Ki Shaadi, starring Neetu Singh and Kapil Sharma, offers an outdated plot that fails to deliver on humour or emotional depth.
If only Pati Patni Aur Woh Do were as funny as its director intended it to be, that would have been reason to celebrate, notes Sreeju Sudhakaran.
Raju Hirani's films can sometimes feel a little too goofy, but under Avinash Arun's direction, it will be interesting to see how that material lands, notes Mayur Sanap.
A five day workshop that allows children to free their imagination and create a portfolio of their stories.
Retired spinner Laxman Sivaramakrishnan demands strict action against Arshdeep Singh for the Punjab Kings pacer's alleged racist remarks directed at Mumbai Indians batter Tilak Varma.
Alia Bhatt will grace the prestigious Cannes film festival as a global ambassador for L'Oreal Paris, and she shares a chic glimpse of her journey to the French Riviera.
Ritwik Pareek's debut feature film, Dug Dug, offers a brilliant satirical and philosophical exploration of the fine line between faith and foolhardiness, observes Sukanya Verma.
This desperate struggle by PBKS after riding high will be recorded as one of the most shocking turnarounds of the IPL 2026 season.
'When kids love it, it becomes a wholesome family film, and Pati Patni Aur Woh Do is one such film.'
As David Dhawan hints at potential retirement after Hai Jawani Toh Ishq Hona Hai, we revisit his iconic Bollywood comedies that defined an era of entertainment.
Vishnu Aravind's Madhuvidhu is a family entertainer that works in parts but falters when its drama turns unconvincing, observes Sreeju Sudhakaran.
'I didn't tell anyone in the film industry. I used to think people might assume that if he has cancer, he might die, and they would probably not offer me any work. So I didn't tell anyone.'
Ayushmann Khurrana, known for consistently breaking conventions with his choice of roles and projects since his 2012 debut in 'Vicky Donor', is gearing up for his new release 'Pati Patni Aur Woh Do'. Ahead of its release, a list ranks his top 10 standout films, highlighting his unique contributions to Indian cinema.
The Sheep Detectives is delightful and wholesome in the way family movies used to be before kids started getting too smart to be easily pleased, observes Deepa Gahlot.
'...keeping in mind that an entire family, from anywhere in India, can sit down together to watch it in theatres! Maybe that's why they always show up for my family entertainers.'
Ginny Wedss Sunny 2 is a humourless romcom weighed down by lazy writing and forced emotional conflicts.
Mammootty's greatness lies not in hiding his flaws, but in turning them into his most powerful acting tools, observes Sreehari Nair.
Actor Vijay's journey from a shy film star to a political leader is explored, highlighting his unconventional methods and the key moments that shaped his transformation.
The second season of Beef delves into a new, class-driven conflict at an elite Southern California country club, in a compelling narrative of escalating domestic disputes, blackmail, and corporate intrigue, notes Deepa Gahlot.
Bharathanatyam 2: Mohiniyattam emerges as a surprisingly superior sequel, boldly transitioning from a slice-of-life narrative to a dark comedy crime-thriller, observes Sreeju Sudhakaran.
Mamla Legal Hai 2 draws humour from its assorted characters, crafting quirky storylines inspired by newspaper headlines, and anchored by consistently strong performances, led by an ever-reliable Ravi Kishan, applauds Sreeju Sudhakaran.
Toaster is neither a laugh-out-loud comedy nor the kind of satire you would expect from a premise like this, notes Mayur Sanap.
As Priyanka Chopra Jonas returns as the debonair spy Nadia in Citadel Season 2, we take look at how her Hollywood projects stack up against each other from underwhelming to standout.
'Shah Rukh Sir gave us a lot of room to make the film we wanted to make.'
Dhruv Sarja's KD: The Devil attempts to deliver a grounded action experience but ultimately succumbs to a loud, generic gangster narrative, muddled storytelling, and excessive theatrics, sighs Arjun Menon.
Indian youth creates fictional AI influencer, Emily Hart, who amasses millions of followers and earns him substantial income, exposing the deceptive potential of AI in the digital age.
Akshay Kumar opens up about his upcoming horror-comedy Bhooth Bangla, and reveals his fitness philosophy: 'Fitness should not be an instant coffee or two-minute noodles.'
Explore a curated list of 10 Indian films that masterfully condense their narratives into a single day, showcasing how limited timelines can enhance storytelling and character development, from thrillers like 'NH10' and 'Kaithi' to comedies like 'Taxi No 9211'.
As Nicole Kidman delivers yet another impressive performance in the OTT series Scarpetta, we explore some of her other compelling movies and shows.
Mr Funnybones is ready to bring the house down yet again in Bhooth Bangla by Priyadarshan, his director of several superhit laugh raisers.
LIK: Love Insurance Kompany is an ambitious film for its setting, but underscores in both the romance and the humour departments. The world-building is vibrant, the ideas are relevant, but the storytelling lacks the depth and conviction needed to bring them together meaningfully
'(Mahesh) Bhattsaab had wisely recommended him for the lead role, but I was young and stubborn then, and would instinctively push back against a producer's suggestion. I insisted on casting Shiney Ahuja as Daya Shankar. While he was excellent, in retrospect, I realise Irrfan would have taken the character to a different level altogether.'
Akshay Kumar and Priyadarshan's reunion in 'Bhooth Bangla' attempts to capitalise on nostalgia but ultimately delivers a noisy, recycled, and uninspired horror-comedy that struggles with weak humour, ineffective scares, and miscasting.
From making us laugh with her funny reels to acting in Maamla Legal Hai S2, Kusha Kapila is in the best phase of her life.
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