Star Wars Episode VII: The Force Awakens 'can be likened, in essence, to a new Salman Khan actioner where the core audience goes in with a checklist knowing they'll get some cheeky dialogue, some trite punchlines, an item song and one eventually shirtless fight scene,' says Raja Sen.
Indians took to social media to pay their respects.
Films that set the cash registers ringing in 2014.
Vote for your favourite sequel or prequel!
A summary of sports events and persons who made news on Saturday.
Rediff's film critic Sukanya Verma lists her worst Hindi movies of 2014.
Bollywood's newest formula for guaranteed success?
Happy New Year is watchable in parts but its three hours and plus running time makes it woefully difficult.
This and more in our weekly round-up of news from the world of glamour and fashion!
As far as the opening episode of Bigg Boss 9 goes, it relies heavily on its superstar host's impish impulses to prevent it from being a complete slog, write Sukanya Verma.
Salman Khan does his thing like only he can in Jai Ho. And the crowd responds. Raja Sen shows us, in his review.
Bollywood celebrities mourn the death of the charismatic actor.
What could have been a relevant crowd-pleaser with a little effort from Sohail Khan and his writers is mostly a tedious and overcrowded drivel that shamelessly depends on Salman Khan's strapping charisma to tide them over, writes Sukanya Verma.
A quick look at the Oscar 2015 nominations.
Highway isn't merely concerned with cataloguing the virginal, versatile landscapes of Northern India. Often it's the only ray of cheer to offset the grimness concealed within two wounded souls, feels Sukanya Verma.
Bollywood is in shock after Sridevi's death.
The attempts to unearth the document started getting more and more frantic. The clerks began to flip pages of files full of documents, some hand written, some bearing thick seals or multiple stamps, some in Hindi, some in Marathi. Several junior lawyers joined in, perusing different files and dockets. But in spite of the best of efforts the document was not to be found.
For all its conceptual highs, Her is not a film about technology, though it is partly a cautionary fable. This is a film about love. A film to love.
'The real problem that has affected Tarantino's films is not their amorality. On the contrary, it's their misplaced morality.' 'The basic pitches for his movies, off late, tackle such pre-resolved issues, that they don't quite allow his pop-culture sensibilities to hit a crescendo and instead reduces them to trinkets in service of broad movie prototypes.' 'Which means that neither history nor cinema triumphs.'
