As Bethlehem Kudumba Unit reaches JioHotstar and Premalu remake reaches theatres, we rank Girish A D's films from good to awesome.
Eyes tackles the serious issue of stalking and toxic relationships with a talented cast and a worthy premise, but its loose pacing and underdeveloped characters stop it from becoming the gripping procedural it could have been.
Shaji Kailas delivers familiar mass moments, but Varavu never rises above its dated revenge formula.
A terrific first half makes I, Nobody look like a great thriller, until an increasingly muddled second half loses the plot, laments Sreeju Sudhakaran.
Tamil Nadu Minister S Keerthana was unable to take her oath of office as an MLA in the State Assembly because she did not present her Certificate of Election, a necessary document for the oath-taking process.
From Mollywood Times to Mohiniyattam, these black comedies from South Cinema prove that the darkest humour can also deliver the sharpest entertainment.
From Manavalan to Kannan Srank, a tribute to the unforgettable Salim Kumar who made generations of Malayalis laugh with his signature humour.
The Archaeological Survey of India (ASI) is responsible for the maintenance of 71 monuments and archaeological sites of national importance in Bihar, according to information provided to Parliament.
Prathichaya has timely ideas and an interesting moral core, but is weighed down by dated storytelling, predictable plotting, and uneven performances, notes Sreeju Sudhakaran.
Chandragupta Maurya was the first king to establish an empire in India. He died a monk.
A businessman in Kerala has released CCTV footage allegedly showing police officers assaulting restaurant employees in custody. The businessman claims the incident occurred in May 2023 and that his attempts to seek justice have been met with resistance.
Sreenivasan could so willingly be 'our little man' because in his heart of hearts he never felt trivial or inconsequential. And to the very end he stayed that way, the shrimp who knew he was a giant. Sreehari Nair doffs his hat to the late legend.
Eko, a smartly written film, loses steam midway but somehow stays afloat and deliver the goods, notes Arjun Menon.
Historian and writer Sunil Khilanani lists King Ashoka's teachings, the Constitution and EVMs as some of India's finest treasures.
Field Marshal Sam Manekshaw Field Marshal K M Cariappa Marshal of the Indian Air Force Arjan Singh The three highest-ranking military heroes of the Indian Armed Forces. They were the rarest of the rare. The bravest of the brave.
From bhikshus of Ashokan 3rd century BC and medieval Sufis to Oxfam, Omidyar and Soros now, non-State actors have any real power only when they work in conjunction with a real State, asserts Shekhar Gupta.
Bromance is a fun film that doesn't take itself too seriously, observes Arjun Menon.
'Healthcare is not an industry.' 'The government is only encouraging insurance as they are not able to provide healthcare to people.' 'Opening new medical colleges is not what is needed.' 'You have to invest in public sector hospitals.' 'You cannot hand over healthcare to the private industry.'
'I want the country to know what's happening to our daughter.'
The MEA described the mural as an artwork that depicted the spread of the prehistoric Ashokan empire.
Mammootty is towering as the unflinching enigma that prevents Bramayugam from being a middling genre exercise, observes Arjun Menon.
The Ashokan Pillar in Kolhua, Bihar, is one of India's best maintained historical sites.
Animated or aggressive? Debate over the emblem atop the new Parliament building rages with several historians dismayed that the essence of the original 'protective' Ashokan lions has been effaced while others say the differences are minuscule and no two pieces of art can be identical.
'Meddling with our national emblem was totally unnecessary and avoidable'
You will appreciate the Mammootty of this movie better if you do not take the servile reviews to heart, for this is a grand, broad, almost proudly comic performance, assures Sreehari Nair.
Thulasenthirapuram and Painganadu villages in Tamil Nadu celebrate their daughter's victory.
Opposition leaders and activists have accused the government of distorting the national emblem by replacing the 'graceful and regally confident' Ashokan lions with those having menacing and aggressive posture, and sought immediate change.
'Hadiya does not have any idea about Syria, where she wanted to go after converting to Islam'
The Prime Minister will commission INS Vikrant at Cochin Shipyard Limited in Kochi and during the event, he will also "unveil the new naval ensign (Nishaan), doing away with the colonial past," the PMO said in a statement.
'I served the Indian Army and I am an ex-serviceman.' 'I look at this as a battle I am fighting after I left the army.' 'I will not leave till I get her back as my daughter Akhila, and I believe it will happen one day.'
Principal Kannan said no special treatment will be accorded to Hadiya at the hostel.
As much as we enjoy and write reams and reams about our amazement at the Kantara climax, 30 years on from now, will we remember these portions more fondly or the ones where Shiva is simply hanging out with his friends, mulls Rohit Sathish Nair.
Kaanekkaane is Suraj's triumph all the way, declares Divya Nair.
As good as Mammootty is playing Sundaram, we see this facet of his performance through two lenses: That of Sundaram being an offset to whatever we know about James, and that of Mammootty doing quintessentially Tamil tics, including enacting scenes from old Tamil movies like solo plays, observes Rohit Sathish Nair.
These films, even at their saddest, darkest and grossest, retain their sense of humour, their sense of proportion, which again is something you associate with a Malayali.
Arsh Ali's work is about getting reliable evidence about the ancient Buddhist link between India and Egypt, discovers Veenu Sandhu.
Mumbai's museum is no longer a mere showcase for objects of history, but an active agent in prolonging its life.
Nanpakal Nerathu Mayakkam is a masterpiece, and like most masterpieces of the cinema, it's a great act of folly, observes Sreehari Nair.
'We like to look at a screenplay as a spiral staircase.' 'You never know what awaits at the next turning.'
