Unlike the Australian GP, where the majority of drivers carried out only one pit-stop, of Sunday's second race of the season, at Sepang, Malaysia, will see at least two, says Raja Sen.
Ghostbusters may not be a classic, but the laughs it earns are all its own, says Raja Sen.
Nikhil Advani's Hero remake follows the template of the original, which may not have been the wisest course of action, notes Raja Sen.
Welcome Back is dumb yet entertaining, utterly silly but made with a kind of absurd, warm energy, says Raja Sen.
Ae Dil Hai Mushkil is a film about 'tedha love' -- crooked love, love that refuses to stay straight -- and about the unshared, pure potency of unrequited passion, says Raja Sen.
Fugly is a trainwreck, says Raja Sen.
Review: Saif and Katrina make Phantom a joke
Are you all set for Palak Dikhhla Jaa, asks Raja Sen.
Holiday takes obscene amounts of time getting to the point, says Raja Sen.
It is an important film but that doesn't translate to it being good, writes Raja Sen.
Much as we'd like it to, all hasn't changed. In our country, the revolution must be polite and careful not to offend. Still, Raja Sen assures, there is hope.
Brothers is loud, over-the-top and an exhausting watch, says Raja Sen.
The Imitation Game is an unsubtle film that delivers exactly what you expect in the most predictable way, laments Raja Sen.
'The film doesn't challenge our perception as much as amiably pat it into place, yet -- thanks largely to a remarkably committed performance by the leading man -- the film scores like a champ,' feels Raja Sen.
'This is a solid, terse film that makes its points in mainstream fashion with an appropriate lack of subtlety.' 'Pink is a barnstormer -- and it doesn't pull its punches.'
Star Wars Episode VII: The Force Awakens 'can be likened, in essence, to a new Salman Khan actioner where the core audience goes in with a checklist knowing they'll get some cheeky dialogue, some trite punchlines, an item song and one eventually shirtless fight scene,' says Raja Sen.
'The heart still bleeds for the Brazilian who gave us the finest, most memorable start we've seen in Formula One for many a year,' says Raja Sen.
Raja Sen wishes Francis Ford Coppola, the legendary filmmaker who transformed The Godfather into an immortal screen classic, a happy 75th birthday.
O Teri, which borrows heavily from Jaane Bhi Do Yaaro drowns it all in slapstick so noisy it all comes off as more lame than loving, more blasphemous than beholden.
'Jurassic World is a perfectly passable blockbuster with a B-movie heart -- but why on earth would you want to watch something so unremarkable when Mad Max: Fury Road is still in theatres and gets better on each viewing?' asks Raja Sen.
A look at all the times Goa played Bollywood's favourite getaway on screen.
Boyhood will open your mind a little bit more toward the possibilities great cinema holds, says Raja Sen.
The best film won. Until it didn't. Or, depending on where you stand, vice versa.
Suicide Squad is less an actual movie and more an assemblage of moments, moments mostly to do with popular music appropriated around shots of spectacle, with every single scene trying to hit a crescendo of cool and the film, thus, failing to find any peaks at all, says Raja Sen.
Titli is a solid directorial debut but it could have been so much more, feels Raja Sen.
Kapoor And Sons is a film that works in small doses, writes Raja Sen.
Stay away from theatres, I'd say. 50-kos away, even.
'He was the manliest of them all, a true man's man. Warrior, King, Pioneer, Thespian, Womaniser, Drunkard, Scoundrel -- he made it all look grander than ever, and he did so with fluent effortlessness.' Raja Sen salutes the great actor who passed into the ages on Sunday.
According to Raja Sen, Goliyon Ki Rasleela Ram-Leela is an overplotted, bloody mess.
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You'll be hard pressed to find another hero so totally, awesomely Super, insists Raja Sen.
Raja Sen gives us a hint: It was all because he used a coin wisely.
Several parts of Drishyam work but the film is more tackiness than craft, says Raja Sen.
With run of the mill action sequences and some bad jokes, Kick Ass-2 doesn't live up to the expectation.
X-Men: Days Of Future Past crams so, so much plot into its two-hour running time that there isn't room to get bored, raves Raja Sen.
Ugly -- a constantly riveting, ticking timebomb of a film -- is by far Kashyap's finest film, says Raja Sen
In this film the Ka -- as in the Ka-poors, who act in the film -- are okay, it is the Ki -- as in Bal-Ki, who directs it -- who stumbles rather badly, feels Raja Sen.
Issaq is a shoddily written film with a cringeworthy performance from its leading man Prateik Babbar, writes Raja Sen.
Hamari Adhuri Kahani is a film where three fine actors all play idiots, says Raja Sen.
Crimson Peak is not for everyone, but the mood is set very early on, says Raja Sen.
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