Gulzar, best known for penning memorable hits like 'Tujhse Naaraaz Nahi' and 'Tere Bina Zindagi Se' besides directing critically acclaimed films like 'Aandhi' and 'Mausam', was on Saturday chosen for the prestigious Dadasaheb Phalke award, the highest official recognition for film personalities in India.
Both Raazi and Veere Di Wedding are interesting films that worked. There is no point reading a trend in them, says Vanita Kohli-Khandekar.
Sun Mere Bandhu Re: The Musical World of S D Burman by Sathya Saran reveals many interesting anecdotes from the late composer's life in Hindi films
Pranutan talks about her debut film, Salman sir, her dad and her illustrious grandmother.
'There are films that are meaningless, but still do well.'
Radhika Sharma/PTI catches up with the stars at the international film festival in Goa.
Dinesh Raheja salutes the legend's versatility in her heyday.
Dhanak child stars Hetal Gada and Krrish Chhabria look back at their beautiful film.
'I couldn't understand why people didn't want to take me in a film or why I was offered the roles that I got.'
'Sanjay Dutt was a very stylish person. He created his own style; he did not follow trends.' 'He wasn't a tapori, he was grand.' 'Also, whatever he wore, reflected what was going on in his life.'
In Sukanya Verma's special series re-visiting great Hindi film classics, we look back at 1960's Parakh, starring Sadhana, Motilal, Nazir Hussain and Durga Khote.
'When it came to S D Burman, a Guide song was completely different from a Tere Mere Sapne song which was completely different from a Sharmilee song. Except for their quality, there is nothing to link them together.' 'Lata was his ultimate voice. He felt there was nobody like Lata. "Give me a harmonium, give me Lata and I will make music," he said.'
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