'It is daunting, for sure, because you're rowing upstream.'
When you walk out of Thithi, you walk out with a feeling of having been completely inside its characters' heads, says Sreehari Nair.
Raam Reddy gets candid about Thithi, his film journey so far and his next project.
Stars spotted at the special screening of Kannada movie Thithi!
Check out the arrivals.
The top posts on social media from your favourite Bollywood celebrities.
The top posts on social media from your favourite Bollywood celebrities.
'It is about the fight between two families, why they fight, how they fight and what they feel.'
A look at the top tweets from your favourite Bollywood celebrities.
The top posts on social media from your favourite Bollywood celebrities.
Joker, Thithi, Maheshinte Prathikaram and Pelli Choopulu bag the big awards of the night!
'2016 was the age of convenience for Hindi movies; of down pat effrontery and planned feeling triumphing over attempts to discern something complexly beautiful,' says Sreehari Nair.
Sreehari Nair presents his Top 20 movies of the decade.
Aseem Chhabra picks the finest Indian films in the 2010-2019 decade.
'What we have is 'masala redeemed' as opposed to just 'masala resurrected',' argues Sreehari Nair.
Are the National Awards are bending over backwards trying to celebrate popular cinema, simply in order to gain more relevance and eyeballs, asks Raja Sen.
In spite of the glitches and scramble, the Mumbai Film Festival shaped into an enriching experience, feels Sukanya Verma.
Laali Ki Shaadi Mein Laaddoo Deewana is insipid, terribly made, and yet a Warm Enterprise, feels Sreehari Nair.
There is no escaping Rahul Bose's compassion. He wears it like a name tag in Poorna, feels Sreehari Nair.
Sreehari Nair wasn't impressed with Rangoon at all. But find out which film tops his list!
'Soft power is the power really to win friends and influence people with the strength of your ideas.' 'India's greatest soft power is being India itself. A nation of varied beliefs, states, creeds, castes, languages and yet embodying that spirit of unity in diversity.'
'Is there a connection between the way we pitched the entire issue of Udta Punjab's censorship and the apologetic, full-of-very-specific-answers tone of the movie?' 'Maybe it's just me, but as an Indian liberal, I am more scared of us liberals than I am of the average Indian conservative bloke,' says Sreehari Nair.
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