Aamir Khan completed 25 years in the film Industry he chats about his memories of making the history-making film, his career choices over the years, and his meeting with Hollywood's Daniel Day Lewis and Steven Spielberg.
Music composer Anand-Milind look back at their successful career.
Rani Mukerji goes back in time, and tells how Aamir Khan and she has changed since 1998's Ghulam, their first film together.
Aamir Khan's journey has been prolific. As he turns 45, we celebrate the very best of the fine actor.
Teree Sang evokes no sympathy nor merit debate or discussion.
Mansoor Khan looks back at his films and career, and tells us why he quit Bollywood.
One of the most popular villains of his time, Kapoor worked in about 500 films.
Writer Abbas Tyrewalla makes his directorial debut with Aamir Khan's next production.
Multitalented Aditya Bhattacharya started his career as a photojournalist went to do acting writing, directing and producing the film. You may remember his as a director of Raakh starring Aamir Khan, Pankaj Kapur, Supriya Pathak, he is a grandson of Bimal Roy and son of Basu Bhattacharya. Aditya has also directed Dubai Return which still to release and he is the only India to have a directed an Italian film Senso Unico.
'I came to Mumbai in 1978 and struggled for the next 10 years.'
Mansoor has directed only four films in the last 20 years -- Qayamat Se Qayamat Tak, Jo Jeeta Woh Sikandar, Akele Hum Akele Tum and Josh. After that, he disappeared from the film industry, and settled down to a life of farming in Coonoor, Tamil Nadu.
Aamir Khan's brother, Faisal Khan, is all set to make his directorial debut with Pyar Se Kyun Dartha Hai Dil. Not many know that Faisal had assisted his father, Tahir Hussain, in Tum Mere Ho and his uncle Mansoor Khan in Qayamat Se Qayamat Tak and Jo Jeeta Wohi Sikander. He has also acted in films like Mela and Madosh, which unfortunately, bombed.
Akshay Manwani traces Aamir Khan's fascinating journey to stardom.
Joginder Tuteja looks back at all the lesser known films Bollywood's leading men debuted in.
Gauri wasn't very happy about living the Bombay life. With no friends in the city, she wanted her husband's films to flop so they could go back home, to Delhi.
'We brought melody back to Hindi cinema and our songs which came straight from the heart, be it Papa Kehte Hain, Aye Mere Humsafar, Ghazab Ka Hai Din or Akele Hain To Kya Gham Hai, resonates even today.'
Blockbusters like Sharda, Himalaya Ki God Mein, Suraj, Milan, Khudgarz, Dharam Veer, Rocky, Mard, Love Story, Kranti or Pyaar Jhukta Nahi seem to have lost their lustre and magic over the years.
Filmmaker Mansoor Khan turned his back to the movies, to live a simple life off the land. He has another passion now -- Mother Earth.
All India Rank achieves a fine balance of authenticity and sensitivity in the fine portrayals of its young actors and old.
The entire Khan family makes its way to MAMI.
'Pankaj Udhasji took the Ghazal to the masses. He was a wonderful singer, but more importantly he was a wonderful human being.'
'Here are 25 stories special to me for one reason too many,' says Sukanya Verma who scored 25 years writing about the movies last week.
The Dhadak trailer makes you believe that the film will redefine love in Bollywood, feels Syed Firdaus Ashraf.
All seems to be well with All Is Well. The film has taken its own time to reach the finishing line but fortunately for it, the music is doing some good talking, says Aelina Kapoor.
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'Lagaan and Talaash are among his best films.' 'He did some really bad films after QSQT. He was doing those films without thinking. He realised that, stopped and changed his approach.'
Before Vishal Bharadwaj's advent, several Hindi filmmakers had attempted screen adaptations of Shakespeare's various works, with varied success.
Sukanya Verma peeks into these glamour worshippers-turned-gardeners.
After a dry, dreadful, spell of darkness and desolation, it looks like Bollywood love stories are ready to rock the silver screen again.
If there's one thing about the decade our glamorous lot is in NO RUSH to replicate, it is the '80s' kitschy, over-the-top sartorial style.
Using snatches of a cult favourite or evergreen classic in its original form for action, comedy or romance can transform the entire vibe of a scene.
Sukanya Verma shows us how Bollywood has depicted housework on the big screen.
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