A docu-feature on the life of Ingmar Bergman is going through its post production in Mumbai headed by Resul Pookutty.
'I don't see what the fuss was about.'
No author in the Malayalam literary canon has influenced and profoundly changed the way normal people interact with each other than the ever-relevant, eclectic yet elusive body of work left behind by MT Vasudevan Nair, notes Arjun Menon.
Aseem Chhabra presents his list of 100 best (and must watch) films -- many classics, some relatively new and several personal favourites.
'I never got respect as an actress.' 'But when I became a director and worked with actresses like Cate Blanchett and Jessica Chastain, I felt such pride of being an actress.'
'Thank you to the Cannes Film Festival for having our film here. Please don't wait 30 years to have another Indian film.'
The prolific actor turns 62 today.
Indian filmmaker Dheeraj Akolkar talks about his documentary Liv & Ingmar.
Antonioni embraced the abstract and created a narrative out of expressive, yet ambigious visuals. Everything was visual for him.
Cinematographer Mazhar Kamra talks about his directorial debut.
Sanjay Leela Bhansali talks about his film.
Jennifer Aniston returns to her news anchor duties, Akshay Kumar saves the day and 456 South Koreans fight to the finish in a bloody game of survival. Sukanya Verma suggests everything you can catch on OTT this week.
Konkona Sen Sharma's short Mirror in Lust Stories 2 is a rare thing: A feminist film that is also very, very funny, states Sreehari Nair.
'One often assumes that after being in a marriage for a while, one knows their partner really well.' 'But do we really know what they want?' 'What they need? What they seek.'
There's nothing wrong in Vidya Balan's performance. There's just nothing new about it, feels Sukanya Verma.
The suave actor of the world, sometimes called the last of the Mohicans and familiar to students of cinema anywhere in the globe, acted in 14 Ray films and over 300 others, gracefully transitioning into commercial cinema in a variety of roles.
'He always seemed one of us, part of the great aspiring middle class -- his values, his simplicity, even the intellectual snobbery which he could barely hide,' observes Mousumi Sengupta.
This is an alternate list of 10 screen roles that saw Soumitra Chatterjee, a paragon of gentility, venture beyond his comfort zone and deliver masterclasses of subtlety and depth, lists Saibal Chatterjee.
Soumitra Chatterjee -- one of the finest Indian actors of our time -- meant so much to Aseem Chhabra.
Aseem Chhabra imagines a time, 20 years from now, when movie-watching in theatres will be long gone, thanks to the coronavirus, and pens a letter to his grandchild, explaining the magic of the cinema hall.
Sukanya Verma celebrates the acting legend.
'Ek Ladki Ko Dekha Toh Aisa Laga is a step backward for the portrayal of female camaraderie in our movies,' argues Sreehari Nair.
In Shashi Kapoor: The Householder, The Star, Aseem Chahbra gives us glimpses of one of Bollywood's best loved actors.
There are no real people in Tamasha -- there are only character-types written in little pink balloon-letters, all floating in cloudland, feels Sreehari Nair.
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