'There's no real rebellion, just a consuming love for fashion and faux feminism where every zinger flying out of their mouth sounds like something you've heard on a sitcom or favourited on your Pinterest wall,' notes Sukanya Verma.
Sukanya Verma lists the 2018 films that impressive her.
Masaba Gupta gets ready for the next phase in her life: her wedding.
A look at the top tweets from your favourite Bollywood celebrities.
'I don't remember the last time I was this invested in the characters of a story since Doordarshan's golden age or early days of cable television boom,' applauds Sukanya Verma.
'At a time when the news channels are screaming louder than the worst crowd, you can't be subtle if you really want to say something important,' Anubhav Sinha tells Bedika/PTI.
'Both Kangana and Rangoli really love me and that's because they give me so much of time and attention from their lives.'
'The producer will wear these gold ornaments, but they will not part with Rs 30,000 or Rs 50,000 to pay the writer.'
'Made in Heaven plays well as a busy show; when it's hip, but without being hopeless,' feels Sreehari Nair.
Even after three decades, Mandi proves its lasting relevance and powerful impact on cinephile memory by inviting comparisons to Vidya Balan's Begum Jaan.
Gajraj Rao's performance in Badhaai Ho is the finest by an actor in a Hindi film this year, applauds Sreehari Nair.
How many of the 319 films Aseem Chhabra watched in 2018 have you seen?
Aseem Chhabra picks the scenes that left him impressed this year.
'Nobody laughed during the shooting. There were fights, swearing and what not. Tempers were high but the unit and the actors stayed on, and finally, the film was made. But it was like riding a wild horse!' Kundan Shah's last interview.
Nikhil Lakshman remembers the times he spent with the legendary writer who passed into the ages six days before his 86th birthday.
'That night -- when Gandhi won Best Picture at the 1983 Oscars -- belonged to India and it meant a lot to a young student like me, who was trying to establish his Indian identity among the Americans around him.' Aseem Chhabra/Rediff.com, who worked as an extra on Richard Attenborough's acclaimed biopic, salutes the late legend.
'We still look at films with A-listers.' 'There is change, but it's minor.' 'We still haven't learnt how to invest in stories.'
Former editor of Femina magazine, Sathya Saran looks back at the Miss India pageant that changed the lives of two young women.