At a time when thousands of our farmers are sitting on the roads in bitterly cold December nights, protesting another policy measure that 'tightens the noose around their neck', ironically sold as 'beneficial' for them, it becomes all the more necessary for us to watch Gabhricha Paus to understand their problems better, says Utkarsh Mishra.
Like all the great love stories, Annayum Rasoolam has a tragic end. But not before we are transported into a world of furtive glances and hurried touches.
It stirs up your emotions and you end up feeling attached to each of the characters in Uyare like you've known them forever, feels Divya Nair
Anurag Kashyap's classic Black Friday is a must watch film.
Exquisitely shot, with shadows and light capturing the hypnotic mood of the film, Jalsaghar is a viewing treat you owe yourself.
Vihir is a balm for our troubled souls, says Aseem Chhabra. It is a like a book on life lessons -- joy, laughter and tragedy are all part of our existence.
Kumbalangi Nights is one of those movies that will put you in a good mood every time you watch it, promises Anita Aikara.
Sudhir Mishra's Iss Raat Ki Subah Nahin is relevant even today.
It will make you uncomfortable because you will have seen bits of this story -- or most of it -- many times, in your home or in the homes of your loved ones. And you've probably watch it pan out silently, says Savera R Someshwar.
In Maqbool, Vishal Bhardwaj did a Godfather; in that he took something that was pulpy and fast and gripping, and made out of it something timeless and grand, feels Sreehari Nair.
Padmarajan's Thoovanathumbikal has become a part of Malayali mythology, just as its maker himself now possesses mythological status.
'Don't let anybody tell you that Kadvi Hawa is a manifesto for the fight against climate change or that it's an austere, unforgiving movie.' 'This is an intensely felt, beautifully expressed piece of cinema,' says Sreehari Nair.
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