Rashmi Rocket is both predictable and cliched, but Taapsee gives us an exciting performance, observes Laxmi Negi.
Pucker those lips and blow out a loud whistle for Chopra, Priyanka Chopra, applauds Sukanya Verma.
'I guess things happen when they have to happen.' 'And the film got delayed by COVID a little bit. But yeah, it's been a decade which I do not regret.' 'I feel like I have grown so much, as an artist, as well as just a human being.' 'So much life experience to channel into films that I think is an advantage almost.'
Though the lies hardly go beyond extramarital affairs and conception problems, they are laid out by arresting storytellers who raise the stakes while speaking in tongues not wiped clean to make progressive points (No Made in Heaven-type diddling, here), notes Sreehari Nair.
Dr Shreekant Sambrani pays tribute to M S Swaminathan, renowned agricultural scientist and a lifelong crusader against hunger who passed away in Chennai recently.
England dumped Nigeria out of the Women's World Cup in a last-16 penalty shootout
Ria and Varun seem to live in a bubble where they have hardly any friends and are never seen doing normal young people things like just hanging out with the gang. There is a hell of a lot of snogging, but hardly any real conversation, observes Deepa Gahlot.
Finance Minister Nirmala Sitharaman on Tuesday nudged the fintech industry to break the distance barrier and have more engagements with the government and its agencies to enhance trust. Sitharaman was replying to a question by Kris Gopalakrishnan, chairman, Global Fintech Fest (GFF) 2022 advisory board, who wanted to know how to ensure trust among industry, regulators, and the government. "I don't want to sound cliche, but distance brings distrust. "So, cut the distance down, have greater engagement with the government," the minister said.
Rocky Aur Rani Kii Prem Kahani packs in abundant entertainment and hat tips to the KJo brand, observes Sukanya Verma.
It's important for GenZers to know what they are getting themselves into: If you're going on a date, clearly state your intentions ahead of time! That way, there won't be any surprises that could disrupt the flow of the evening, alerts Sybil Shiddell, country manager India, Gleeden, a discreet extra marital dating Web site.
Thank God tries hard to be funny but its humour is dated and cliched, observes Namrata Thakker. Thank God Review.
The jury is still out on Chhatriwali's flimsy public service, but Rakul sure passes the quality check, applauds Sukanya Verma.
'He's always been an all-inspiring kind of director that nobody can surpass,' R Madhavan tells Subhash K Jha about Mani Ratnam.
Shiv Shastri Balboa is a sweet dramedy that makes a case for letting seniors live with dignity, observes Deepa Gahlot.
Tamannaah Bhatia and Riteish Deshmukh's rom-com is blah, complains Namrata Thakker. Plan A Plan B Review
This Festival of Lights, Sukanya Verma's tips to dazzle like the shiniest folks in tinsel town.
To name your movie after Bollywood's most dhinchak hero and craft something so dull borderlines on sacrilege, feels Sukanya Verma.
AB de Villiers hit an unbeaten half century to steer South Africa to a seven-wicket victory over Bangladesh and an unassailable 2-0 lead in their one-day series on Wednesday.
Metro Park 2 has the same cliched jokes, sighs Moumita Bhattacharjee.
As the second season of The Night Manager hits the OTT screen, Deepa Gahlot looks back at the top spy thrillers on streaming platforms.
Saif saves Bhoot Police from tedium, observes Namrata Thakker.
Deepa Gahlot picks the top 10 Karan Johar films -- some that he directed and others that he produced or co-produced -- that you can watch on steaming platforms.
The Hyderabad Heist is a blow-by-blow account of an audacious theft committed in 2018, and a recounting of how the Hyderabad Police combined technology and human intelligence to crack the case.
It takes a different kind of genius to make a show so full of chirpy good cheer that it's hard to dislike, observes Deepa Gahlot.
Khuda Haafiz 2 is an unnecessary sequel, observes Namrata Thakker.
It's addictive. It's entertaining. It's gorgeous. Once bitten by the K-drama bug, there's no going back.
Spielberg was born with a camera in his eye. And this one movie, he'd been recording all his life, observes Sukanya Verma.
Mind The Malhotras is like a bus that skipped a few stops on its route, observes Deepa Gahlot.
If future episodes are as verbose and unwieldy, it might be difficult to keep from switching channels, points out Deepa Ghalot.
'If you take music away from me, there's nothing else I can do.'
People are easily convinced to take lives as though it's a game of passing-the-parcel... Crime is not merely romanticised and rationalised, but also rewarded, points out Sukanya Verma. Breathe: Into the Shadows 2 Review
'Every day, after 'pack-up', Khansaab and Deepika would come for dance practice and rehearse till around 1-1.30 am.' 'The weather was a challenge because while on screen, it looks warm and sunny, it was actually bitterly cold, with a sharp, stinging wind which had the actors and dancers shivering in their summer clothing.'
Black Panther: Wakanda Forever makes you mourn the legend that was Chadwick Boseman, but also assures that forward is the only way to go, observes Mayur Sanap. Black Panther: Wakanda Forever
'The point about arranged marriages is -- because I come from a progressive family -- the idea was completely alien. But I have realised over time that there are instances of assisted marriages working very well. If you look at it, really, in a microcosm, it is the same thing as Tinder, isn't it? I mean, if you are trying to meet -- yes, no, yes, no, no.'
'Calmness and stability has come into my life after being married to Vicky Kaushal.'
Avatar: The Way of Water feels like a poorly chosen present -- the wrapping is beautiful, but the gift inside is a disappointment, observes Mayur Sanap.
If we have not been world beaters in cricket for the longest time, here is the reason: We look down on our bowlers and deify batsmen, argues Aakar Patel.
Brahmastra is a work of star-struck ambition and high-octane energy whose razzle-dazzle hits many happy notes, observes Sukanya Verma.
'Why does it happen that our films don't work there, their films work here?'
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