Rani Mukerji, unusually candid.
Dum Laga Ke Haisha is a series of riveting moments that make you moist in the eye and chuckle with joy, says Sukanya Verma.
'When Sultan released, I got greedy. I decided to make another film with Salman because he gets me a lot of box office.'
'I did not imagine I would be offered a film like Sonali Cable,' Rhea Chakraborty gets candid with Sonil Dedhia.
'The Maharashtra government diktat is another meddling example in an industry where politics or language has no role to play.' 'Cinema has a universal language. Filmmakers are divided across regions, but united in their passion for films,' says director Suparn Verma.
'We asked Shashank Arora to go at nine in the morning and shit on the beach. We wanted him to sense what it feels like to have no personal space.' 'We wanted my father not knowing what he was doing, because it reflects on the kind of character he is in the film. Not giving him the script added to the situation the actor is in.' 'We would not say good or anything encouraging to Ranvir Shorey after each shot. We would not even talk to him.' 'We were always trying to get people out of their comfort zone. I think that's when the acting stops and something organic starts to come out.' Kanu Behl -- who has directed one of the most awaited films of the year, the most unusual movie Yash Raj Films has ever produced -- discusses Titli with Aseem Chhabra/Rediff.com
