Reader Aniruddha Lapalikar has sent us these photographs with the stars.
If it wasn't so violent, there would have been a few unintended laughs in Baaghi 4, but this one has not a shred of humour amidst the nonstop mayhem, observes Deepa Gahlot.
For a film with such a grand vision, Sangeet Manapmaan needed more flamboyance to make it a memorable affair, feels Mayur Sanap.
'It pains me when Marathi film-makers come to me and say that Marathi cinema is not getting the right platform.'
Kunal Kemmu makes his directorial debut with Madgaon Express, and his wife, Soha Ali Khan, was among his biggest cheerleaders at a special screening in Mumbai.
'I am very happy that I took the decision to direct the film myself.'
May offers a mix of original Web series and digital movie premieres on OTT.
Madgaon Express understands its charm lies in its inherent silliness and then works around as pure unadulterated entertainment, which makes it imminently watchable, raves Mayus Sanap.
Urmila Matondkar returns to the movies, and we can't keep calm!
Bengali film Antaheen by director Aniruddha Roy Chowdhury was chosen as the best film while Tamil filmmaker Bala won the honour of best director for his film Naan Kadavul at the 56th National Film Awards announced in New Delhi on Saturday.
Guru Pourina examines human relationships with greater honesty and with a better hold on reality than its big budget Bollywood counterparts, feels Paloma Sharma.
Choked almost manages to be a real depiction of life after demonetisation for a lower middle class household but ends up being a puzzle in a puddle, feels Moumita Bhattacharjee.
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