Sudhir Mishra's Iss Raat Ki Subah Nahin is relevant even today.
Like all the great love stories, Annayum Rasoolam has a tragic end. But not before we are transported into a world of furtive glances and hurried touches.
'Keeravaaniji doesn't work in isolation.' 'He responds to stories, situations and the emotional core of a film.' 'That's why his tunes are so different.' 'Unchiseled emotional masterpieces.'
And why is Nawaz getting serious?
Anurag Kashyap's classic Black Friday is a must watch film.
It stirs up your emotions and you end up feeling attached to each of the characters in Uyare like you've known them forever, feels Divya Nair
Vihir is a balm for our troubled souls, says Aseem Chhabra. It is a like a book on life lessons -- joy, laughter and tragedy are all part of our existence.
Kumbalangi Nights is one of those movies that will put you in a good mood every time you watch it, promises Anita Aikara.
'There was so much grace, depth and serenity in him.'
'Today, as a film personality, he is bigger than Dharma Productions.' 'But he is still warm and loyal to his friends from school, college and work.'
In Maqbool, Vishal Bhardwaj did a Godfather; in that he took something that was pulpy and fast and gripping, and made out of it something timeless and grand, feels Sreehari Nair.
Saurabh Shukla, one of our finest character actors, on his life and movie career.
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