Here we are, just hanging out with a dapper star.
The hits and misses of the week.
The hits and misses of the week.
'Basuda welcomed viewers into a world that was instantly familiar and comfortable,' observes Sukanya Verma.
Sukanya Verma looks at the various baap-beti equations depicted on the screen.
Both films will fall short of target.
The hits and misses of the week.
The hits and misses of the week.
A series of flip-flop on policies and a non-existent charging infrastructure are the biggest challenge in achieving the target of selling 6-7 million hybrid and electric vehicles by 2020.
The hits and misses of the week.
'But it is also an industry that is very accepting when they see talent and hard work.'
Movies, their motives and time of release make me wonder if we'll ever be able to see India as India and not a reflection of its governments, notes Sukanya Verma.
'It is intense, riveting, clever, dark, sad, lyrical, heartfelt, relevant and understated,' says Sukanya Verma.
Sukanya Verma looks at the debutants of that year and how they've fared since.
In its preoccupation with drama, Begum Jaan neglects to reveal its soul, feels Sukanya Verma.
Kareena Kapoor Khan proves what an asset she can be, writes Sukanya Verma
Roy is so tangled in its inflated, erratic ideas of a pseudo mystery around parallel lives and loves that it ceases to make sense even before it takes of
'Oddly enough, everything Raazi cannot explain or put a finger on, it glosses over in the name of patriotism or watan-love; glorifying thereby the very sentiment it had set out to mock.' 'This is the unique tragedy of the film: it becomes less of a counterpoint to pseudo-patriotism and more of a companion piece,' says Sreehari Nair.
Begum Jaan makes a lot of noise, cuts a lot of throats, but sucks up to kiddie-ideas of history and revolution, feels Sreehari Nair.
Sreehari Nair is *not* impressed by this lot of films at all.
'The way the daredevil feats are set up, they don't have the maniacal feeling of actual gun battles, or good jazz, or a whacked-out dance performance -- they just don't provide you that giddy tingle you go looking for in such films,' feels Sreehari Nair.
'This is a movie made with this gaze fixed on its immediate well-wishers, while at the same time it squints hard looking for those swaying back and forth on the fence,' notes Rohit Sathish Nair.
A round-up of all the Ranji Trophy matches played on Monday
A round-up of all the Ranji Trophy matches played on Saturday
A round-up of all the Ranji Trophy matches played on Sunday
'I do feel I have all the qualities of a film star but then why didn't I make it that big? I blame it on my destiny. I was not there at the right place at the right time.' Karishma Tanna opens up about her regrets.
'In my personal life, I honestly find it very difficult to express my anger.' 'And then, when you are a public figure, you feel watched that much more and then you are all the more careful.' 'Begum Jaan, therefore, was the answer to my angst.'
'The standing ovation in Cannes was a rare moment where I felt patriotic. I realised that the audience was not clapping for an individual but for the team that came from India with such a beautiful film.' Masaan's leading man Vicky Kaushal takes us through its making.
