The Malyalam film is complicated in parts and oversimplifies matters in others, but is worth seeing
Mosayile Kuthirameenukal is visually enchanting, so watch it in spite of some flaws.
1 by Two is a let down considering the expectations it had raised before its release
The movie may prove to be another turning point in the recent new wave Malayalam cinema.
Mammootty looks jaded and director Ranjith has done a shoddy job.
Buddy is yet another film that tries to be innovative but can't pull it off.
32aam Adhyayam 23aam Vaakyam is a disappointing affair because of the careless handling of the subject, says Paresh C Palicha.
With Premam, director Alphonse Putheran proves that he has the knack of presenting themes that have blockbuster written all over, writes Paresh C Palicha.
Ezhu Sundara Rathrikal may have been an attempt to look at the fickleness of relationships in today's times in a humourous way but it does not have the desired effect.
The film makes an effort to add sparkle to the so-called 'new gen' formula, but ends up being a damp squib.
Punyalan Agarbatthis is a well executed film with Jayasurya along with the rest of the cast giving a likable performance.
Malayalam film The Dolphins gets preachy after a while, says Paresh C Palicha.
Malayalam film Nadodimannan doesn't work, according to Paresh C Palicha.
The hit pair of Indrajith and Murali Gopy combined with the writing talent of Jeyamohan could not save Kaanchi
'My aim as an actor is to make the audience believe that the person they are seeing on screen is not me but the character.' Parvathy discusses her real-life character role in Ennu Ninte Moideen.
Arikil Oraal had a lot of potential but fizzles out by the end.
The director A V Sasidharan depended too much on lead actor Fahadh Faasil's popularity and forgets everything else.
Rajadhi Raja is a lacklustre Onam release, writes Paresh C Palicha.
The director could have done better by avoiding the cliched tales.
Karma Cartel director Vinod Bharathan gives us an insight into his style of filmmaking.
Ormayundo Ee Mukham is fluffy and breezy but disappointing.
Bangalore Days director Anjali Menon discusses her films and more.
Naku Penta Naku Taka is a disappointment considering the promise it carried.
Escape from Uganda is a film that tries to thrill but fails to do so.
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The film may have worked better as a documentary.
Malayalam film 101 Chodyangal is a touching tale.
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The story does not have any subtlety, everything that the director wishes to convey has been overtly pronounced by the actors through their dialogues.
Actor turned director Vineeth Kumar talks about his directorial debut and his passion for films
