'The fear of social stigma and career sabotage has kept a lid on the dark underbelly of many professions and unfortunately, the film industry has its skeletons too.' 'It's imperative we make our working environment safe and comfortable for women.'
'Editor M S Shinde deserves full credit because, I'm told, Ramesh Sippy had shot 300,000 feet of footage, which was brought down to 18,000. 'He died in 2012, in a 126 square foot flat in Dharavi, penniless, a forgotten hero.'
'I've never seen Ramuji cry... even when his father passed away.' 'But after the special screening of Satya, he was crying.'
While Satya's pleasures are palpable -- among them the poetry of the coarse language, the mercifully rough-hewn texture, the oh-so-familiar underdog story -- these pleasures hit you at a completely different speed. The movie is charged with a sense of discovery, and every shot is a cornucopia of details existing independent of the main story. It's touching, notes Sreehari Nair.
Twenty seven years after it first released in theatres and became a cult classic, Ram Gopal Varma's Satya returns to the big screen.
Joginder Tuteja lists the movies and Web series coming up.
'I wasn't motivated to begin with because how do you outdo the biggest encounter?' 'Then, we came across this story about the first-ever encounter.'
'Film shooting is a long process, and it is important to have a good bonding with the person you are going to spend six to eight months of your life.' 'Baaki, film toh bann jaati hain.'
There's too much going on in Anek, and a lot of it is terribly disjointed, complains Sukanya Verma.
'There is a lot that I find extremely annoying in Ramu, like his constant attempts to shock and stir up controversy by needlessly needling sacred cows.' Subhash K Jha salutes the maverick filmmaker on his birthday.
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Celebrating one of Bollywood's finest cult classics, as it turns 20.
'Acting is the toughest job in the world.'
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