The show takes its own pace to pick up, but then when you least expect, it grabs you by the throat, notes Aseem Chhabra.
Aseem Chhabra presents his list of 100 best (and must watch) films -- many classics, some relatively new and several personal favourites.
A sneak preview ahead of the opening of the Academy Museum of Motion Pictures in Los Angeles.
Nomadland dominates BAFTAs 2021 with four wins.
The year is ending, but the OTT shows no signs of slowing down. Sukanya Verma brings you everything you can catch this week.
Today marks the 40th anniversary of the most eulogised film in the history of cinema -- The Godfather.
Despite the Oscars, the box office glory, and the universal acclaim, Francis Ford Coppola, I am sure, remembers The Godfather with as much frustration as pride. Like Michael Corleone, he got into it with the best of intentions, and got out of it on top but lost in the heights. Sreehari Nair revisits the film as it turns 50 this month.
Sreehari Nair lists some movies, documentaries, recorded-performance films, and literature and music suggestions that might help.
'...I have not read newspapers for quite some time,' a psychologist tells Syed Firdaus Ashraf, 'and I am perfectly normal.'
Bangistan is not the political satire it claims to be, says Nishi Tiwari.
Aseem Chhabra watched some great films and some huge disappointments in 2020.
Happy 60th Birthday, Bruce Willis.
Some 800 million or more Indians gaze at their mobile phones all day. Whoever can crack what's news on the mobile phone for them and their families, for a nominal payment of Rs 10 a month, is a winner, says Ajit Balakrishnan.
'Every time I watch Sholay telling myself that it is nothing more than a 'brazen potboiler,' the movie works. However, each time I take it for this iconic masterpiece, Sholay falls short; terribly short,' says Sreehari Nair.
P K Nair dedicated his life to restoring and archiving films.
'In Vishal Bhardwaj's now fully set world of manufactured poetry, characters wear their emotions at their most prescribed anatomical positions -- courage on their chins, pride over their chests, and innocence in their faces,' observes Sreehari Nair.
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