'My father knows that he was not good in Parinda. He himself told me that he messed it up because he was so successful at that time with Ram Lakhan and Tezaab. He was so iconic as Munna that he tried to recreate it all the time. It is not necessarily the best thing to do.' Harshvardhan Kapoor says why he's blessed to be an actor in today's days.
Arthur J Pais analyses Oscar 2014 big wins and losses.
As the legendary actor turns 60 today, we look at his finest performances in the last six decades.
Rush is a rousing, thrilling film, feels Raja Sen.
'A friend of mine was going through a midlife crisis with me, so we sat down and talked it out.' 'He said, you know, we are going through a midlife crisis. I asked him for how long it would last. He didn't know, so we tried to Google it but nobody had an answer.' Saurabh Shukla fields questions in his signature witty way.
National award winner Chaitanya Tamhane tells us the story behind his film, Court.
'Asked which Dilip Kumar films were among her favourites, she said she had seen not a single movie of his until that time. This became a sensational issue. She did not mean to offend Dilip Kumar. There was not a bone of diplomacy in her and she never acquired that calculating attitude even at the cost of some of the roles that she would eventually lose.'
'Smita had it all planned out. She was pregnant then and planning to leave Raj Babbar after the baby was born. In an enthralling new book Smita Patil, A Brief Incandescence (HarperCollins), Maithili Rao reveals the many fascinating facets of the incomparable actress whom we lost too young.
Shatranj Ke Khilari was Satyajit Ray's first Hindi film. The Master set the Premchand story against the backdrop of the First War of Independence in 1857. Bijoya Ray, his wife, reveals fascinating glimpses behind the making of the epic in this exclusive excerpt from her memoir.
'To be complimented for a fantastic performance after just viewing the trailer! This never happened to me before.' 'If you have given a party a mandate for five years, stop blaming it for everything under the sun.' 'My kind of films do not make stars. Now we, the actors, after years of struggle, have created a parallel industry where we have made a name for ourselves. But stars we are not nor can we be.' 'For a boy coming from a remote village of Bihar at the Indo-Nepal border where no transport was available to commute to the nearest town, even coming to Delhi and then Mumbai and finally watching himself on the silver screen was a huge thing!'
Kanu Behl's Titli is one of the best films from India in recent years, says Aseem Chhabra from the Zurich film festival.
'Anu Malik has great respect for lyrics and lyrics writers. He has worked with big important people through the '80s and the '90s -- everyone from Gulzar and Majrooh Sultanpuri. He treated me with great respect.' 'I don't think the AIB controversy will affect any comedian who can think right and straight, who is clear about his comedy and politics.'
Aseem Chhabra picks his favourite movies from the Telluride Film Festival.
Jo Jeeta Wohi Sikandar masterfully weaves a compelling human story, says Sukanya Verma.
'The scenario today, whether in 'Everybody is concerned only with 100 crore films... If our starting point is going to be "How much money will it make? Will it go into the 100 crore club?" then I am not interested.'
'Smita Patil was the reason I got into films. She kept telling me to get into films but I said I was happy doing theatre, I don't like films. Today, when I look back, I don't think I disliked films. Maybe I thought who would take me in films? I think it was a complex.' Nana Patekar looks back at his life.
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