'A production designer could earn Rs 10 lakh per film. It could be Rs 70 lakh for an established designer.'
'You don't need a godfather to protect you from dangers of Bollywood because nobody will.'
P K Nair dedicated his life to restoring and archiving films.
In Sukanya Verma's special series re-visiting great Hindi film classics, we look back at 1960's Parakh, starring Sadhana, Motilal, Nazir Hussain and Durga Khote.
'Maharawal Ratan Singh's situation in Padmaavat is very similar to Shahid's situation in Padmaavat, as an actor. I was pitted against very high odds, in a very unlikely situation and I had to somehow come out with flying colours.'
Dolly, who is leading from the front in Amritsar, wakes up early, plans things for her husband's campaign, oversees resources, does nukkad meetings and keeps busy -- all without getting into the limelight. Sheela Bhatt/Rediff.com's fascinating insights into the battle for Amritsar!
'I am very ziddi. I think for anyone to be successful in any field, you have to be ziddi. If you are not ziddi, you will not be successful.' Priyanka Chopra is ready with Mary Kom.
'I have watched comedies but some have failed to make me laugh. The characters indulge in too much buffoonery. They move too much, falling, hitting each other, making faces... Comedy is very serious business.' Director Anees Bazmee tells us how he makes people laugh with his films.
Ashutosh Gowariker's new film has a nice romance, but the history seems to get in the way.
'My father became a very popular villain and in some films, was paid more than the hero. He was a very simple person. All he needed was six pairs of white shirts and trousers for the whole year, one or two packets of Dunhill cigarettes a day and books.' Shehzaad Khan on his famous father Ajit.
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