He died in his sleep in the Dominican Republic, where he was shooting the film Dangerous Waters.
Watching Aavesham is like sprinting through the whole history of our mass-masala movies and seeing it in a new light, notes Sreehari Nair. And this, incidentally, is the story of Fahadh Faasil's career too.
The Sony HT-S700RF home theatre ticks all the right boxes for a music fanatic says Aparna Banerjea.
Sukanya Verma tells you everything you need to know about the Oscars.
Fans and fellow musicians have paid glowing tributes to legendary musician Prince, who passed away on Thursday in his Paisley Park Studios in Minneapolis.
Sukanya Verma's Super Filmi Week.
'Aryan (is special because he) was the first child, Suhana is special because she is a girl, and AbRam because he is the youngest.' Shah Rukh Khan chats about his children, movies and Eid.
Martin Scorsese's The Wolf Of Wall Street could set a bad precedent, feels Aseem Chhabra.
Bombay Velvet paints a pretty postcard but not the soul of its decade, feels Sukanya Verma.
...But a comedy about Class Wars. Sreehari Nair tells us why.
Bombay Velvet spends too much time on period details and loses focus, notes Aseem Chhabra.
'David O Russell delivers an over-the-top film in his dynamically striking style,' says Raja Sen about Oscar frontrunner American Hustle.
The Wolf of Wall Street has its moments but it is director Martin Scorsese's weakest attempt at film-making, says Aseem Chhabra.
Aseem Chhabra tell us how he watched 302 films in 365 days on airplanes, on Netflix, Amazon, iTunes, Google, Hulu, DVDs and even on YouTube.
'In Angamaly Diaries, dreams, kinks, small corruptions, cheap lives, and hopes are all given their due and that attitude frees us up to believe that perhaps there is more good than bad in the sum total of us.' 'This is a coming-of-age tale taken straight out of a diary written in blood,' says Sreehari Nair.
Vidhu Vinod Chopra takes stock of his Bollywood career and explains why he thought of foraying into Hollywood.