The amazing Hero soundtrack makes sure that you give most of the songs a repeat hearing, says Aelina Kapoor.
100 Days of Love leaves a lot to be desired as a serious love story.
Director Vijay Chander's Vaalu is a regular commercial entertainer with a weak plot, poor execution, unrealistic action and mindless fun, writes S Saraswathi.
Yes, Alauddin Khilji did launch a military encounter for a woman. He had her captured and made her one of his queens. But it was not Rani Padmavati.
King Liar's story is wafer thin and the effort to hold the viewer's interest does not work beyond a point, feels Paresh C Palicha.
She was like the girl who eloped in the film Omkara, who also defied her father. In the film, another character asks: "How can anyone trust a girl who betrays her own father?"
Donald Trump's new CIA pick hasn't been greeted with the avalanche of media gush that inevitably follows a woman who becomes the first among her gender to get a top job.
If a film has its heart in the right place, it *will* weave magic on the big screen. And Dhanak exactly does that.
'If I can make smaller films that are successful, why would I make big ones? The choice is Shah Rukh's: Would he like to work in smaller films?' Director Kundan Shah, who passed away on October 7, had asked in an interview first published in July 2001.
22 years of lovin', Shah Rukh-Kajol style!
Simple, sweet and uncomplicated, Naanum Rowdy Dhaan is a romantic comedy that deserves a watch, writes S Saraswathi.
Director Vijay Milton's 10 Endrathukulla is marred by overzealous performances, ordinary music, tacky CGI and poor execution, warns S Saraswathi.
'If lynchings are happening frequently in India, it is the responsibility of those who lead the country to try and end them, not promote them,' says Aakar Patel.
The train has a lot to offer to its passengers: Silent run, fully-sealed gangway connecting two coaches, GPS-based passenger information system, modular bio-vacuum and disabled-friendly toilets, intelligent air conditioning that adjusts cooling according to the climate and closed-circuit television for safety.
Aakar Patel tell us why we must travel with open eyes and discover ourselves.
Gitanjali Selvaraghavan's Maalai Nerathu Mayakkam is a far cry from your regular love stories.
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