'I am an accidental lyricist,' confesses the superstar who has written Haanikaarak Bapu, Emotional Atyachar, Abhi Mujh Mein Kahin, the songs for Yeh Jawaani Hai Deewani and Ae Dil Hai Mushkil and many, many, more chartbusters.
'Tamasha is a cross between Jab We Met and Rockstar because there is intensity, fun, humour and also a breeziness about how life is.' 'Tamasha, in a way, stands for the spectacle of your life. It has to have many emotions, including irony.' Director Imtiaz Ali talks about his latest film.
Sukanya Verma looks at the debutants of that year and how they've fared since.
The show premieres on Colors on July 11.
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Ram Leela is a lavish visual spread and is filled with moments of thrill, ingenuity and splendour.
Arun, 24, is from Kolkata. He's a bartender. Vidya, 8, studies in an English medium school. Her father is a chaiwala. Purvika, 9, has big, bright eyes. Her father works in a beer bar. All of them are united by one cause alone: To become actors and join the film industry.
Yesteryear's heart-throb Shashi Kapoor will get the prestigious Dada Saheb Phalke award for his contribution to Indian cinema. On this occasion, we reproduce Dinesh Raheja's nostalgia piece on the actor here:
It's all bad. All of it, every last instant, every single word, rants Raja Sen in his review of Humshakals.
'We will never really lose him because in death, his spirit, trapped in a frail body, has been set free and will surround us like the air we breathe.'
'I salute Dixit and Qureshi for playing roles that are not in line with what mainstream Bollywood expects of its female stars,' says Aseem Chhabra, noting how Dedh Ishqiya makes important points in the most nuanced way.
'Sonakshi Sinha, Imran Khan and other stars say MFF is their film festival. In reality, the festival belongs to Mumbaikars, who wait in long lines, rushing from theatre to theatre.'
'We still look at films with A-listers.' 'There is change, but it's minor.' 'We still haven't learnt how to invest in stories.'
'The new Indian cinema has still not found its voice and identity. It's trapped under the deadwood weight of Bollywood and popular Indian cinema.'
Shatranj Ke Khilari remains an accessible, yet deep period film.
'I like the thought that I am competing successfully with writers much younger than me,' says Ruskin Bond.
'They are busy making films that suit their purpose. If it suits their purpose to make a Slumdog Millionaire, they will make it.' 'Why are we so upset about not getting an Oscar or producing Oscar quality work? Just look at the quality of work that is venerated by the Oscars. It is not particularly great work. Why are we so desperate to get acknowledgment from the West?'
