Vineet Kumar had changed several hard disks before the search operation at its headquarters in Sirsa.
The difference between watching a movie on a laptop in your apartment and watching it on a big white screen is almost spiritual, notes Sreehari Nair.
The film is way too slow, writes Namrata Thakker.
'I felt a constant gag in my throat, and emerged from the movie somewhat mugged,' confesses Sreehari Nair.
'Truth is stranger than fiction. You cannot think these things up.' 'What happens is weird enough.'
'What we are actually missing in India is a platform wherein the government engages with cybersecurity experts, gets them employed and then utilises their capability to deter such attacks.'
Mukkabaaz, a film in which its lead actor shines, unfortunately tries to pack in a punch too many.
The films that fared badly at the box office.
Desipite good reviews, Baby and Dolly Ki Doli don't work at the box office.
As we eagerly wait to see what 'farq' it makes when it hits the screens on June 28, Sukanya Verma looks at the few occasions caste came up in Hindi movies.
It's only when Gold moves away from Akshay Kumar's blundering Bangla and hockey humbug to become a story of grace among go-getters that it comes close to becoming the movie it should have been, says Sukanya Verma.
'Sudhir Mishra takes us into the dreams and fears of our politicians, into their self-deceiving pitches, and he shows us their demons and angels,' says Sreehari Nair.
Isn't It Romantic is about a New York woman hit on the head during a mugging. The impact leaves her feeling that she is in a rom-com.
'You walk out of Mukkabaaz feeling good about yourself, but unlike Kashyap's best pictures, it releases you from the responsibility of seeing yourself in it; the movie is darn clever, most of the way, but it hardly has any wisdom,' says Sreehari Nair.
A look at the top tweets from your favourite Bollywood celebrities.
Besides the five Indian films that are playing at the Toronto International Film Festival this year -- a rather large collection at an international film festival, says Aseem Chhabra -- there are more films with an Indian connect.
A look at the top tweets from your favourite Bollywood celebrities.
Nishi Tiwari feels Club 60 is amply peppered with some standout moments but the good parts end very quickly.
'Being a chocolate lover boy, I wouldn't last long. So I decided to get rid of the tag as soon as possible.' 'That's why I started doing films like Haasil and Munnabhai MBBS.' With films like Yahaan, A Wednesday and Tanu Weds Manu, I was trying to break an image.'
'I would count my rotis and eat.' 'I broke my sister and brother's insurance policies.' 'Whatever savings I had got over.' 'I was struggling for work.' 'I used to struggle for Rs 500, Rs 1,000.'
Ugly -- a constantly riveting, ticking timebomb of a film -- is by far Kashyap's finest film, says Raja Sen
Issaq is a shoddily written film with a cringeworthy performance from its leading man Prateik Babbar, writes Raja Sen.
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