Television actor Priya Marathe, known for her roles in Pavitra Rishta and Kasamh Se, died at the age of 38.
'We should support cinema that's rooted in our culture and not ape the West.'
'It pains me when Marathi film-makers come to me and say that Marathi cinema is not getting the right platform.'
For a film with such a grand vision, Sangeet Manapmaan needed more flamboyance to make it a memorable affair, feels Mayur Sanap.
'We need to be proud of our Maratha history and should be ready to tell the world our stories and not just keep them limited to Maharashtra.'
Much of Sajini Shinde Ka Viral Video's enjoyment comes from the carefully picked star cast who do a pretty good job, observes Mayur Sanap.
What makes Har Har Mahadev consistently watchable are the solid performances from its stellar cast, applauds Mayur Sanap.
Shahid Kapoor packs in a lot of blood and gore in his new film, Bloody Daddy, directed by Ali Abbas Zafar (Tiger Zinda Hai, Gunday).
Urmila Matondkar returns to the movies, and we can't keep calm!
Maharashtra CM Uddhav Thackeray said cinema halls and drama theatres in the state will be permitted to operate from October 22 on the condition that they follow all the protocols required to prevent the spread of coronavirus.
'His time had not come, he went away before his time was up.'
The gorgeous actress has known him since her modelling days.
Vaalvi is likely to become a cult film, appreciated by those with a warped sense of humour, predicts Mayur Sanap.
A question that Roshan Jr evaded.
An agitation was also held against the movie at another multiplex in the north Maharashtra city by the Nationalist Youth Congress.
Joginder Tuteja looks at the top 10 JA productions.
A look at the top posts on social media from your favourite Bollywood celebrities.
The latest updates from the Malayalam film industry.
Sumedha Raikar-Mhatre examines the Marathi film industry, which annually produces around 190 dissimilar films that requires an investment of Rs 400 crores.
If you think the film is gutsy, you are simply being blind to the truth that the whole men-are-worthless slant is saleable right now, argues Sreehari Nair.
'This film can be taken to the world.' 'I don't think cinema needs a particular language to understand it...' 'Salman has given me everything I have.' 'Whatever I am today is because of him.' 'Hopefully, one day, I will direct a film with him.'
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