The hits and misses of the week.
A look at this week's hits and misses.
Both Raazi and Veere Di Wedding are interesting films that worked. There is no point reading a trend in them, says Vanita Kohli-Khandekar.
Sukanya Verma glances at the changing faces of women bonding in Hindi movies.
'There's no real rebellion, just a consuming love for fashion and faux feminism where every zinger flying out of their mouth sounds like something you've heard on a sitcom or favourited on your Pinterest wall,' notes Sukanya Verma.
Horror, drama, romance and action... it's all on your plate this year!
'I don't believe in the length of the role. But I definitely don't want to be decoration.'
'If Kapoor sees something in a film, or an idea, she will ensure it reaches the most eyeballs -- by any means necessary,' points out Raja Sen!
'This is the first Bollywood film which is about 4 women not falling in love with the same guy.'
Which one are you looking forward to?
'Salman has been my heartthrob since I was 14. He is so incredibly amazing as a person. I am very lucky to be working with him on such a big film.' Straight talk from Sonam Kapoor.
'For 30 years I did nothing but work. The entire focus of my attention was I, me and myself. I have shifted my attention to my children.' Anil Kapoor speaks.
The ordinary life lived in Pakistan is rarely a part of Indian imagination. This is this gap that Pakistani television serials have succeeded in bridging, says Mohammad Asim Siddiqui.
'Satyajit Ray was somewhat tolerable; you didn't have to hang your head in shame.' 'Sholay is a series of stereotypes and borrowed ideas... And we are still singing praises of that film.' 'What would I make of two grown men behaving in this manner? It's deeply embarrassing.' If you thought Naseeruddin Shah was too frank with his opinions, he'd have to take a back seat to wife Ratna Pathak Shah, who doesn't waste a second, giving you her strong views on matters movies and personal.
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