'We'll certainly have Hollywood productions, so why wouldn't we have Bollywood?'
New York City's Museum of Modern Art (MoMA) showcased The Clock, a meticulous effort showing clocks and watches from thousands of films from the last 100 years of cinema.
The two-week, 16-film exhibition running June 5-18 presents features and shorts that have won acclaim at the Toronto International Film Festival and other events, and includes eight New York premieres.
Had he not taken his final curtain call on April 23, 1992, Satyajit Ray would still, undoubtedly, have been making movies.
'The cross-pollination between the states has always been happening.' 'It's only over the past one or two years that all this talk about South versus Bollywood has been happening.'
Aseem Chhabra savours Woody Allen's latest film, Raghu Dixit's show in New York and MoMA's Rain Room.
Dayanita Singh, artist and curator, is giving photography a new art form.
Director Rahul Dholakia's film opens a festival in the US.
'It has a very intriguing story with full of surprises. And we have put together awesome music. What we offer is truly world music.' Director Rohan Sippy on Bluff Master.
It beats Netflix any day, exclaims Prithvi Singh.
They're so bad, they're good!
The journey of the digitally restored version of The Apu Trilogy is packed with dark stories and years of near detective work by those determined to preserve some of Satyajit Ray's finest works.
'I personally consider Indian cinema as one of the most creative and powerful forms of cinematic expression in the world.' 'An average Indian film is 10 times better than a costly American production because of the creativity involved.'
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