'At a time when there was little awareness of world music, playing western tunes on eastern instruments like the flute and the dholak, blending vocal polyphony with Indian folk and contemporary styles, Salilkaku created a new musical genre in Bengal called Gana Sangeet.'
'What do you think... those working in the film industry are illiterate people? Why don't you go and work with Bimal Roy?'
'I saw Bimal Roy's Devdas again a few years ago, almost 50 years after it had been made.' 'I found it very intelligently made; the scenes flowed so beautifully.' 'There is just one scene with both Suchitra Sen and me in the film, and it's beautiful.'
'You cannot change destiny. I have no regrets in life.'
'If this is how the audience likes me, I will continue doing it.'
'If a hero wanted Mr Rafi to sing for him, naturally it had to be him.' 'Then if it was Dilip Kumar, who is a soft-spoken man, he naturally wanted Talat Mehmood.' 'Raj Kapoor wanted only Mukesh. Now you tell me, where did I stand a chance?'
Pranutan talks about her debut film, Salman sir, her dad and her illustrious grandmother.
On Hrishikesh Mukherjee's 91st birth anniversary on September 30, we bring back excerpts from a Rediff interview with the brilliant filmmaker, just after the release of his last film, Jhoot Bole Kauwa Kate.
An icon of grace and beauty, the charismatic heroine of outstanding films, Suchitra Sen will forever remain the brightest star on the horizon.
Beautiful glimpses into Dilip Kumar's life with Saira Banu.
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