Anaarkali Of Aarah is a tale well told.
Kill Dil has random songs, birdbrained logic and a romance that's about as exciting as toothpaste, says Sukanya Verma.
Find out which films make it to Sukanya Verma's Top 10 of the year!
'We need more universal films like Dangal, Sultan or Padmavat that work across single screens and multiplexes.'
'If the government is really bothered about saving Indian culture, then stop the culture of rape, stop the culture of corruption, stop the culture of goondaism, stop the culture of burning churches.' 'The State has no right to come into our homes and teach us lessons in moral science and Indian values.'
'One week after the release of PINK, audiences in India will witness another strong feminist tale, this one set in rural India,' says Aseem Chhabra.
Mumbai's CST, Halebidu and Amruthapura. Sudha Murty lists her selection of India's beautiful monuments.
Yet, Guddu Rangeela never quite soars, says Raja Sen.
'This is the year of the three Bs -- Budapest, Boyhood and Birdman -- and if you love the movies, one or all three of those will feature in your top bracket in English language cinema this year.' Raja Sen takes stock of the recently concluded Golden Globes.
Whenever Akshay appears on screen, The Shaukeens transforms into another movie -- one that's substantially more comic, cheeky and winsome, says Sukanya Verma.
Paris spells r-o-m-a-n-c-e, oodles of it. Those who've visited cannot get enough. Those who haven't cannot stop wishing
Time unkindly has a sole endeavour: To drag the person, whose death you are mourning, further and further away from your presence, to some far edge of your falsely anesthetised mind. So your memories are drained of colour, growing faint and grainy. You are left with a more and more distant recollections of that person, their laugh, their embrace, their voice and the moments surrounding their final departure. Vaihayasi P Daniel mourns her beloved father who passed away one December morning last year.
After a decade of acting in comic films, Riteish Deshmukh finally shows a versatile side with Ek Villain. The days ahead seem busy, with his production ventures and a kitty full of films.
Raja Sen feels Apoorva Lakhia's Zanjeer is an unwarranted, atrocious remake.
Mahesh Vijapurkar on how the celebrations for Mumbai favourite deity is now a combination of crass commerce and politics.
An A-Z of Bachchanalia, the letters expanding into unforgettable bits of his filmography.
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