This weekend, we lost Diane Keaton, that piece of American heart, Hollywood's darling hummingbird. Thank God she is still alive in her films. Aseem Chhabra on the Hollywood star he was in love with.
While India today is vastly different from the India of 1975, the need for vigilance against authoritarianism remains the same, asserts Utkarsh Mishra.
Sukanya Verma quizzes you to find out just how much you know about the movies.
Sukanya Verma remembers some of his greatest solo numbers in our fondly curated playlist.
Anweshipin Kandettum is a fascinating genre exercise let down by its incessant attention to details, observes Arjun Menon.
Marilyn Monroe is always seen as a cautionary tale of how the pressures of celebrity could destroy a fragile mind, observes Deepa Gahlot.
The film is a classic fairytale that goes on as a spy-action odyssey.
'Communalism was the biggest enemy of a free society and Bhagat Singh imagined a future without it. Did we succeed in bringing alive such a future?'
Gentle, fiery, magnanimous or disadvantaged, there are many faces of the Bhansali heroine. Sukanya Verma looks at every single one.
The curse of stardom, especially in a country like India -- which wants its Gods to be tidy and punctilious -- is that stardom forces you to stop exploring the frozen sea inside you, and instead inspires you more and more to perform out of a small puddle, observes Sreehari Nair.
England supporters at the 2016 European Championship said he and other fans had been warned by police
Sukanya Verma salutes the legend and celebrates some of the finest soundtracks of his career.
He said both countries are opening new areas of cooperation in the energy sector, telecommunications and science and technology and they have set up funds to facilitate investment in high technologies.
Radhika Sharma/PTI catches up with the stars at the international film festival in Goa.
That US is losing one of its best-read presidents, and will gain one of the least likely to have ever read a book. Does that matter? Mihir S Sharma explains why it should.
'The passing away of his mother just days before the premiere of his first film, his controversy with terrorism, his relationship with his father, his best friend, the women in his life... everything was shocking for me.'
Aseem Chhabra's recommendations for the Mumbai film festival.
No-Punchline humour reminds us how in our daily lives, we all are by turns 'The Corrupt Politician we criticise,' 'The Chauvinist Male we frown upon,' 'The Rule Breaker we deride through our Facebook posts,' 'The Communal Virus we so easily lampoon' and 'The Bad Artist we spoof.' In a land where the aforesaid prototypes are our major sources of 'funny,' is there an audience for the NPL kind of humour, asks Sreehari Nair.
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