Fighter's distressing lack of thrills and sizzle reduces the exercise to an excuse for tedious amounts of Pakistan bashing, observes Sukanya Verma.
Vasan Bala's much applauded film will hit theatres on Friday.
Despite the Oscars, the box office glory, and the universal acclaim, Francis Ford Coppola, I am sure, remembers The Godfather with as much frustration as pride. Like Michael Corleone, he got into it with the best of intentions, and got out of it on top but lost in the heights. Sreehari Nair revisits the film as it turns 50 this month.
'This project that we began 50 years ago with really the most extraordinary collaborators, many of them legends and so many of them that I can't take the time to list them all, but you know them all well.'
In Maqbool, Vishal Bhardwaj did a Godfather; in that he took something that was pulpy and fast and gripping, and made out of it something timeless and grand, feels Sreehari Nair.
'We feel thrust into a motion picture that has all the makings of a carnival but no real fireworks,' Sreehari Nair notes after watching Malik.
In March 1972, The Godfather was first screened in a New York theatre. The movies were never the same again. Forty six years later, longtime Rediff film critic Raja Sen talks about why that film means that much, and how it led him to a unique tribute.
No matter how much the likes of Modi brag about cleaning up politics, the goondas and the godfathers will flourish until India can deliver justice to its poor and the system can work to the benefit of ordinary Indians, says Vir Sanghvi.
© 2026 Rediff.com - Investor Information - Advertise with us - Disclaimer - Privacy Policy - Sitemap - Feedback - About us - Terms of use - Grievances