Kamal Haasan is right where he left off from the first film but there is only so much he can do to salvage an already lost cause, observes Arjun Menon.
Kareena Kapoor makes her debut on OTT, and it's nothing less than a thriller from Sujoy Ghosh.
The saving grace of Shankar's expanded universe is the masterful precision with which Kamal Haasan drops himself into a messy setup, only slightly to elevate the pulpy tendencies of Shankar's vision, observes Arjun Menon.
Here's a look at some of our actors at their unrecognizable best.
Sam Bahadur is a mechanical summary of his life, ticking off one chapter after another without bothering to pause or ponder over their significance and influences, observes Sukanya Verma.
Alia promotes Darlings... Farhan goes black... Deepika's having a hectic day...
Fixated on guns, genitals and gaalis, Cartel's first impression is a complete stinker, warns Sukanya Verma.
Watch why Deepika got emotional after watching the trailer of Chhapaak while talking to the press.
'I knew that since I would be designing for Sanjay Leela Bhansali's film, the aesthetics would have to be correct.' 'He doesn't show poverty in his films.' 'He won't show someone standing on the streets in phate hue kapde.'
'After the shoot, I was like, "Yeh maine kiya hai?"'
'I felt sick shooting Bala because I think I was under extreme stress. Extreme, extreme stress.'
Kapoor And Sons is a film that works in small doses, writes Raja Sen.
Sukanya Verma recaps all the action at this year's MAMI.
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