Girish AD doesn't make romantic comedies so much as he elevates the genre, observes Sreehari Nair.
'I am glad the book reaches India after America and England. I thought that would make it difficult for some people to run down the book because they do not like my journalism,' says Aniruddha Bahal.
'I might in the future step out of a Dileesh Pothan movie not completely satisfied, but content I'll be in the knowledge that our greatest living film-maker had failed striving to be something more than just an auteur,' notes Sreehari Nair.
'Movie plots clearly don't excite director Dileesh Pothan as much as true stories where life had come dizzyingly close to becoming like a movie and then, had fused back with life.' 'This means that a conversation he overhears at a tea shop is more likely to give Pothan a setting for his next picture than a brainstorming session inside a conference room,' says Sreehari Nair.
'Tigers fails to understand that the phenomenon of a million babies dying because there is not enough clean drinking water in which to mix a certain packaged baby formula may have its source in a system where deprivation runs so deep that even a small gift works like a tonic,' argues Sreehari Nair.
At its core, Criminal Justice is a tale of small miscalculations leading to grave consequences, feels Sreehari Nair.
The Rumble in the Jungle was the greatest boxing spectacle of the 20th century, notes Dhruv Munjal.
'The Indian Right can afford to be rigid; but as liberals, our position has to be one of constant evolution, or else death awaits us,' argues Sreehari Nair.
Sreehari Nair lists some movies, documentaries, recorded-performance films, and literature and music suggestions that might help.
'Now with many itchy-fingered ex-bosses being raked through the mud, their marriages ruined, their careers trashed, their finances hit, the inclination of many male hiring managers will be to hire fewer women,' believes Rajeev Srinivasan.
'Omerta is a work of true moral force; it is, at the risk of sounding fancy, a motion picture for our times,' says Sreehari Nair.
Sreehari Nair is *not* impressed by this lot of films at all.
'America's withdrawal from Vietnam was an inspiring moment for all of us. We believed that it was a glorious victory of ideology and spirit and as historic as the defeat of the Nazis exactly 30 years ago,' remembers Kumar Ketkar 40 years after the end of the Vietnam War.
'There is no way you can view the movie from a distance, from a moral high ground, and get to its core.' 'To truly appreciate what Anurag Kashyap is trying to do here, you may have to lose a part of yourself to it, first,' says Sreehari Nair.
'2016 was the age of convenience for Hindi movies; of down pat effrontery and planned feeling triumphing over attempts to discern something complexly beautiful,' says Sreehari Nair.
'Every Ali obituary I read made the point that he 'transcended his sport' -- a reference to the many battles he fought with America even as he fought in America.' 'What the obituaries leave out is that Ali equally transcended the boundaries of geography and of information -- as witness the Chennai teen who assimilated that most mobile of fighters through still images shorn of context.'
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