Vadh is watchable because of its terrific cast, notes Mayur Sanap.
Even those with no knowledge of the inner workings of the media and police, would find Scoop absorbing as a human drama and the story of the resilience of a woman, her family and true friends, applauds Deepa Gahlot.
Thank God tries hard to be funny but its humour is dated and cliched, observes Namrata Thakker. Thank God Review.
An entertaining spy thriller with world politics bunged in: Utkarsh Mishra endorses Jack Ryan, Season 3.
Pitchers Season 2 is intense but an engaging watch, observes Namrata Thakker.
Like the countless other things that were made possible online by the deadly coronavirus, Connect adds demonic possession and exorcism to the list, observes S Saraswathi.
Hundreds of films have created magical adventures through road trips, Atithi Bhooto Bhava is just dreary, observes Deepa Gahlot.
In terms of plot, Season 4 matches Season 1. It is grim, fast-paced and engaging, recommends Deepa Gahlot.
The intelligently conceptualized show does more for nationalistic pride than a dozen jingoistic series, applauds Deepa Gahlot.
In What's Love Got To Do With It, Shekhar Kapur makes the simple point that when it comes to love, nothing else matters, observes Deepa Gahlot.
Oppenheimer is a very politically significant film for our time, observes Utkarsh Mishra.
The jury is still out on Chhatriwali's flimsy public service, but Rakul sure passes the quality check, applauds Sukanya Verma.
Saas Bahu Aur Flamingo overdoses on sex, violence and drugs without an inkling of plot or purpose, feels Sukanya Verma.
Lakadbaggha takes up too many issues and does not do justice to them, points out Deepa Gahlot.
The hour-long episodes lurch from adrenaline-pumping to yawn-inducing, observes Deepa Gahlot.
Shiv Shastri Balboa is a sweet dramedy that makes a case for letting seniors live with dignity, observes Deepa Gahlot.
Tamannaah Bhatia and Riteish Deshmukh's rom-com is blah, complains Namrata Thakker. Plan A Plan B Review
When the post-pandemic audience wants large-scale entertainers, Anubhav Sinha has the courage to make a film that determinedly veers away from escapism, applauds Deepa Gahlot.
Half Pants Full Pants will instantly warm your heart, Divya Nair tells us.
Jehanabad: Of Love And War authentically captures Bihar's political skullduggery and caste violence, observes Deepa Gahlot.
Daniel Craig is clearly having a ball playing detective Benoit Blanc, a character completely opposite of James Bond, discovers Mayur Sanap.
Of late, crime, politics, corruption and hate have been leaking out of every streaming platform. By the time Garmi drops, fatigue has already set in, observes Deepa Gahlot.
The latest season of Bridgerton takes a bolder view at handling troubled relationships and marriages as it teases displeased viewers from the previous season with enough fodder to last until the next season, feels Divya Nair.
Ariyippu is not a movie where you ask for a happy ending and you are served it on a platter. As situations change, the central characters conceal and display their vulnerability as any other real-life couple, observes Divya Nair.
Vaalvi is likely to become a cult film, appreciated by those with a warped sense of humour, predicts Mayur Sanap.
If Jaanbaaz Hindustan Ke differs from other shows in the crowded genre, it is because the two lead characters are women, observes Deepa Gahlot.
Everybody knows he's a master of sublime, but Mani Ratnam's brilliance in escalating drama delivers a goosebumps-inducing impact when bolstered by A R Rahman's musical gravitas,
Things get murkier and moronic in this staggeringly dumb, dull thriller, feels Sukanya Verma.
India Lockdown has way too much carnal pleasure on its mind to focus on minor things like coronavirus, sighs Sukanya Verma.
Things may not always look bright, but the sun won't stay out forever is a running theme conveyed across its short films about people from various walks of life in all their varying moods and musings, applauds Sukanya Verma.
Everything Everywhere All forgets to tell a coherent story, complains Mayur Sanap.
There is nothing exceptional in the plot that will blow your mind away, warns Divya Nair. Yashoda Review
To name your movie after Bollywood's most dhinchak hero and craft something so dull borderlines on sacrilege, feels Sukanya Verma.
Salman Khan is so neck deep in his formulaic rut that the only way he knows out is to dole out some more of the bunk. Except now, the swagger has traded places with desperation, notes Sukanya Verma.
The essence of the film is in its simplicity. All the characters in the film look real. You can find them in your neighbours, colleges, cafes, theatres, observes Hemant Waje.
Babli Bouncer is a one-time watch, courtesy Tamannaah Bhatia's acting, observes Namrata Thakker.
At no point in Dhoka: Round D Corner does the tension build up as it goes quickly from thriller to unintentional comedy, feels Deepa Gahlot.
Instead of feeling her desperation, despair or extreme acts stemming from a mother's primal need to protect her brood, what comes through is hollow theatrics, feels Sukanya Verma.
For those who believed in her talent since Lootera, Dahaad is a truly rewarding experience, observes Sukanya Verma.
Taapsee's strong performance powers through an intriguing premise gone kaput in a bogus third act, observes Sukanya Verma.
© 2026 Rediff.com - Advertise with us - Disclaimer - Privacy Policy - Sitemap - Feedback - About us - Terms of use - Grievances