The play-off between Prabhas and Prithviraj is the high-octane fuel that lends Salaar momentum, observes Mayur Sanap.
With the kind of money and talent that has gone into making this movie, a really good biopic of a personality like Savarkar could be made. But this film is lost in polemics, as is the case with almost every biopic and period drama today, observes Utkarsh Mishra.
Khichdi needs a lot more masala, observes Deepa Gahlot.
At the end of eight episodes, the climax is bound to leave you with questions but it would be fair to say that the two-episode backstory and the characters seemed far more interesting than the six-episode drama and tension that led to it, observes Divya Nair.
Anweshipin Kandettum is a fascinating genre exercise let down by its incessant attention to details, observes Arjun Menon.
Despite Ravi Teja's relentless energy, the drama is bogged down by tedious emotional beats, observes Mayur Sanap.
Manjummel Boys gets so many things right, applauds Arjun Menon.
The lives of the kids Deepa Bhatia portrays in the series are bleak, with small periods of sunshine when they get picked for an ad or serial, punctuating the longer periods of struggle, observes Deepa Gahlot.
If you thought you had seen the high points in the trailer, the entire film is simply fire, applauds Joginder Tuteja.
The simplicity of a spontaneous sisterhood, women getting along with other women, feeling alive in each other's company makes Dhak Dhak a gentle celebration of womanhood, notes Sukanya Verma.
Dunki doesn't have any repeat value unlike other Hirani films. And that perhaps is saying a lot, notes Mayur Sanap.
Wedding.con is a watchable show, if only to caution people about the latest scams, notes Deepa Gahlot.
The Village starts off pretty well, but it required something more convincing than a bunch of creepy Gollum-like monsters to deliver the impact it should, observes Divya Nair.
Merry Christmas has a breathtaking climax that will have you sighing like you've never sighed in a Sriram Raghavan movie before, applauds Sukanya Verma.
Killer Soup's plots grow too convoluted and the strain of keeping the momentum going shows when its shrewd and surreal visuals lose steam, observes Sukanya Verma.
All the six packs in the world can't compensate for an unenthusiastic performance, sighs Sukanya Verma.
As an audience, we deserve better! exclaims Mayur Sanap.
Leo is a good entertainer with interesting twists you wouldn't guess, applauds Divya Nair.
The mental age of Fukrey 3's humour is the same as the ones who titter at number one-number two jokes. And this one certainly has more loo than laughs on its mind, observes Sukanya Verma.
Aarya 3 feels like a recycled version of the previous seasons, discovers Mayur Sanap.
Rajkumar Hirani has a mastery in bromance. In Dunki, Sukanya Verma doesn't feel that chemistry one bit, it's more like SRK babysitting a bunch of clueless kids running helter-skelter in a garden believing the grass is always greener on the other side.
Plenty happens over the show -- riots, nefarious schemes, betrayal and multiple murders -- which should have made for a riveting watch but everything evokes déjà vu and worse, sighs Deepa Gahlot.
ITo steer clear of sanctimonious newspaper stories all your life, and then be saddled with movies like Kadak Singh -- now there's a rotten bit of luck worth moaning about, sighs Sreehari Nair.
Jawan is disproportionately extolled for making political comments, but it is a small film like Bhagwan Bharose that usually sticks its neck out, notes Deepa Gahlot.
The Great Indian Family, observes Sukanya Verma, is a cheerful fable that points out the absurdity of discrimination as a tool employed by power hungry opportunists.
Too bad the one time it is friendly to the environment, Tiger chooses to celebrate his Diwali with 'meetha' and not 'pathaaka', points out Sukanya Verma.
The Marvels is a muddled effort, but it still stands up as this refreshingly goofy and enjoyable superhero romp, notes Mayur Sanap.
More than the jingoism overkill, it's the tedious tone of telling stories of this genre that hurts Pippa, observes Sukanya Verma.
What should have ideally been a slow-burn thriller pretty much turns into a game of predictive, uninteresting moments that simply delay the almost obvious climax, notes Divya Nair.
Surrounded by a mass of needy professionals, weepy family members and terrified miners, a one-note Akshay basks in all the attention, thumbs down Sukanya Verma.
There are no great emotional highs or lows in Dono. It is just made up of little moments of normal interactions between young people, observes Deepa Gahlot.
If you are looking for a fluffy rom-com without much pravachan, Kushi is worth a watch, recommends Divya Nair.
This romantic thriller is so predictable! discovers Namrata Thakker.
The Little Mermaid is a very good movie, recommends 8-year-old Audrey Fernandes.
Choona is too slow, has redundant characters and needless complications, observes Deepa Gahlot.
Tejas has enough going on for it that would move you and make you weep, observes Mayur Sanap.
Much of Sajini Shinde Ka Viral Video's enjoyment comes from the carefully picked star cast who do a pretty good job, observes Mayur Sanap.
If these six stories in Rainbow Rishta are any indication, then urban Indian society is moving towards a welcome liberalism, even though reality cannot be so simple, notes Deepa Gahlot.
It's simply heart-warming to watch Shefali Shah, Jaideep Ahlawat and Swanand Kirkire bring out the optimism in Three of Us, applauds Sukanya Verma.
Kanika's problem is so ridiculous, it is surprising she did not discover till the age of 32 what every teen knows, sighs Deepa Gahlot.
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