Metro...In Dino's assembly of actors exhaust all their charm at the end of this messy musing on metropolitan monotony, observes SUkanya Verma.
You are hooked on The Hunt: The Rajiv Gandhi Assassination Case from the first episode, applauds Syed Firdaus Ashraf.
Chhal Kapat is a bland whodunnit, which does not have the necessary skills and smarts to pull it off, notes Mayur Sanap.
Watch Kaalidhar Laapata because clean family-viewing films are getting scarcer by the week, recommends Deepa Gahlot.
As a nothing-better-to-do weekend watch, Jurassic World Rebirth is fine. But the franchise is losing steam, observes Deepa Gahlot.
Kannappa is a bloated mess of a film that underutilises interesting story ideas, observes Arjun Menon.
If you're into reality shows with twists, high drama, clever gameplay and just the right amount of hot pepper, The Traitors is your next binge, recommends Shristi Sahoo.
Kubera is a well-intentioned addition to Shekar Kammula's cinematic universe that drags on but never loses its prescient quality, notes Arjun Menon.
What keeps the momentum going is Kajol's fully committed performance that elevates this generic material to a surprising degree of watchability, feels Mayur Sanap.
What's unforgiving about Season two is the way the ever-so-entertaining Venkatesh Daggubati is under-utilised, complains Mayur Sanap.
The edge-of-the-seat action is interspersed with moments of intense, raw emotions of romance, trust and betrayal, and keeps you entertained and waiting for the next big reveal, observes Divya Nair.
The documentary series In Transit attempts to correct the misconceptions about transgenders, notes Deepa Gahlot.
Panchayat Season 4 is watchable, mainly because of the wonderful actors, who, over the seasons have developed a warm rapport, notes Deepa Gahlot.
Mayur Sanap wishes there was more to a this feel-good exercise that never reaches the dramatic heights it is aiming for.
Stolen's crisp running time and Abhishek Banerjee's metamorphosis from callous to crusader ensure the stark bits duly haunt and horrify, observes Sukanya Verma.
Kankhajura could have been so much better given its initial promise, observes Mayur Sanap
Housefull 5 is the most idiotic thing I've watched this year so far, asserts Sukanya Verma.
What grabs your attention is the end credit which has a montage of BTS pictures of Sangeeth Sivan from the sets. He is smiling, chatting, laughing with his team
The three lead actors are excellent, giving their parts the various shades of joy, anger, despair and the emotional heft required to make their characters believable and likeable, observes Deepa Gahlot.
Sooraj Pancholi, nostrils flaring and eyes twitching, tries to sell his character's steely resolve, but, sighs Mayur Sanap, the boy just can't act.
Pankaj Tripathi's Madhav Mishra is one of the most entertaining characters created for an Indian Web series, and the actor plays him with relish, observes Deepa Gahlot.
The tone of the film may be gloomy but it is never tragic or hopeless. Like millions of underprivileged people who find joy in small things, Shanu, Bua and their mother keep their heads above water, notes Deepa Gahlot.
Even if you don't play the game, you'll understand everything and have a good time, promises 9-year-old Minecraft gamer Avan Verma.
It's safe to say that Marvel is back, raves Varun Khanvilkar.
Ground Zero is a respectful biopic but a story like this needed more heart to make an actual impact, feels Mayur Sanap.
Rajkumar Gupta's hammy treatment and bombastic score strips the realism to turn Raid 2 into another hail the hero exercise, observes Sukanya Verma.
Retro is probably Surya's worst film till date, notes A Ganesh Nadar.
The Bhootnii is just never thrilling, frightening or funny enough to pass itself off as a horror comedy, notes Deepa Gahlot.
Narivetta takes its cue from real-life incidents and fictionalises the ordeal through the experiences of a young cop caught in the crossfire between the police and tribals up in arms, notes Arjun Menon.
The Final Reckoning, with all its startling ambition and scope, puts a dazzling display of stunt-work by Tom Cruise, applauds Mayur Sanap.
With a better script, Test could have been a compelling relationship drama. Instead, it only tests your patience, complains Mayur Sanap.
Black, White & Gray - Love Kills has a unique take on the standard murder mystery that may not be perfect but is very entertaining nonetheless, discovers Mayur Sanap.
Sejal Shah's flatly-narrated timeline would probably serve better as a documentary, observes Sukanya Verma.
Gram Chikitsalay uses the same template as Panchayat but with a fraction of its humour or charm, observes Deepa Gahlot.
Chhorii 2 frustrates way more than it frightens, sighs Sukanya Verma.
Performances by Nimrat Kaur and Amol Parashar make the rather unimaginative show watchable, observes Deepa Gahlot.
The Nani starrer is an all-out, larger-than-life upgrade of the HIT series that loses steam in its attempts at stylistic indulgences, notes Arjun Menon.
The plot goes pretty much as expected but the Hai Junoon team seem to have sat with a check list of issues that affect today's teenagers, and ticked the ones used in the show, observes Deepa Gahlot.
If not for Tamannaah, it would have been an ordeal to sit through this uninspired horror fable, notes Arjun Menon.
Jaat is a full-on, South-infused entertainer that delivers exactly what it promises, feels Rajesh Karkera.
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