Talaash director Reema Kagti talks about her second film, her lead actor Aamir Khan and her equation with co-writer Zoya Akhtar.
The film doesn't boast of a single distinctive performance, New Year's Eve does have a warmth about it, which is largely to do with the New York setting, and that friendly feeling, fake though it may be, that occurs in the month of December.
Ajab Gazabb Love is reminiscent of the bad films of the bad 1990s.
The film conveys lucidly the disturbing racial injustice in 1960s America without melodrama or too many clichs.
The film is immensely watcable for the cold fright it inspires.
The film chooses to go for an audience-stimulating climax.
We recreate Hollywood magic with Bollywood masala.
Director Sujoy Ghosh is quite excited about his new film, Kahaani.
The film is well written and catches the viewers off-guard.
It's best to stay away from Himesh's latest attempt at acting.
Jagrat Desai and Sasha Goradia both complement each other, for appalling acting.
The film makes The Pink Panther seem like the Godfather of slapstick.
Omi Vaidya talks about his upcoming film, Dil Toh Baccha Hai Ji.
Sanjay Dutt talks about playing the devil in Agneepath, and much more.
We don't know how a film like this makes it to the theatres, without the exercise of any quality control.
Sitting in his hotel room, Sushil Kumar re-lived all his emotions of winning Rs 5 crores on Kaun Banega Crorepati 5.
Actress Shraddha Das talks about her romantic comedy Dil Toh Baccha Hai Ji.
The film refrains from becoming a victim of Bollywood's fast and fabricated version of teenage crisis.
Modern Love: Mumbai has a mostly good selection of stories, and unlike so many other OTT shows that seem to think profanity and sex depict modernity, this one can be watched with the family without any discomfort, observes Deepa Gahlot.
Playboy founder Hugh Hefner, who passed into the ages on September 28, once hosted starlet Sherlyn Chopra at the Playboy Mansion. Sherlyn shares the experience.
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