As much as its protagonists look for perfect words to articulate their findings on love, friendship, a space in between and beyond, Ae Dil Hai Mushkil simply reiterates the nature of its unpredictability through a twist Sukanya Verma did not foresee or like.
'Sriram Raghavan is mainstream Hindi cinema's greatest gift to us,' declares Sreehari Nair after watching the director's latest movie caper.
Pooja Bhatt's irrepressible cuteness, Rekha's amusing cartoon, Asha Bhosle's super songstress power, Akshay Kumar's sparkling white sneakers and shaved chest find a mention in Sukanya Verma's weekly column.
Finding Fanny is a fine blend of soulful musings and nuanced filmmaking, feels Sukanya Verma.
'The public has appreciated Badlapur and a black marketeer was trying to sell me a ticket the other day!' Director Sriram Raghavan tells Patcy N/ Rediff.com
Highway isn't merely concerned with cataloguing the virginal, versatile landscapes of Northern India. Often it's the only ray of cheer to offset the grimness concealed within two wounded souls, feels Sukanya Verma.
Finding Fanny strikes gold, raves Raja Sen.
Karan Johar talks about his much-awaited directorial venture Ae Dil Hai Mushkil.
'It is rare that a Hindi language film delivers so much promise in the first half. And so it is extremely disappointing when the director and his script lead us on the journey that starts to meander and eventually fizzles out, collapses and dies in front of our eyes.'
Advait Chandan decodes Aamir Khan.
'Badlapur,' says Sreehari Nair, 'proves that sometimes there are more personal truths to be discovered in our trash cans than in our neatly arranged book-shelves.'
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