'Kaala's sin is not that it is presented as a mouthpiece for its director Pa Ranjith's political viewpoints, but that it makes a travesty of them.' 'Ranjith turns Marx into merchandise, all the while functioning as a hired hand for Brand Rajinikanth,' points out Sreehari Nair.
Masaan is an immense achievement for a first-time filmmaker and must be applauded, says Raja Sen.
Sreehari Nair is *not* impressed by this lot of films at all.
All the action at the Dilwale trailer launch.
'Director Ali Abbas Zafar has directed a monstrous film, one with a repellent 70s-set storyline that makes no sense whatsoever, and a cast who should all hang their heads and offer up a minute's silence for assaulting their respective filmographies,' says Raja Sen after watching Gunday.
'This slender yet joyous film introduces so many fresh insanities and has such an endless stream of wisecracking that it takes on shades of a running ballad,' notes Sreehari Nair.
'We had decided that if the audience liked Stree, then after two or three years we would plan a sequel.' 'Because of the kind of reaction we received for the film we have already started work on it.'
'We are caring and sweet to each other.' 'We do have our tiffs, arguments on everything; neither of us agrees to be wrong.'
How many of the 354 films Aseem Chhabra watched in 2017 have you seen?
Ashwiny Iyer Tiwari's Bareilly Ki Barfi had the critics reaching for the stars. But that is just the tip of the iceberg discovers Rediff.com's Savera R Someshwar.
'The starting point of the Udta Punjab casting was that we didn't think stars would do a film like this, so we'd take non-stars. As the names kept rolling in and we had Kareena Kapoor and Shahid and Alia Bhatt, I was like yaar yeh ho kya raha hai?'
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