'Panchamda created an exclusive theme music for Gabbar Singh, which is used throughout the film every time the dacoit makes an appearance, and in both concept and sound, is so eerie and evil.'
Walking for Designer Jayanti Reddy to the sultry tune of Aaj Ki Raat at the India Couture Week 2025, the star looked particularly stunning.
Can a culture survive as a way of life, even as the language and writing at its core, alter with time? Can we be rational and Malayalee or do we have to necessarily be religious and proudly cultural to be Malayalee? asks Shyam G Menon.
Siva Sankar looks at S P Balasubrahmanyam's fantastic repertoire.
Singer Nakash Aziz gets candid about his journey in Bollywood!
Scenes from the Rocky Aur Rani media interaction in Mumbai...
If you plan to go on a holiday soon, we can help you out with the list of places which are really fascinating.
The popularity of the fashion trends the movie established saw the Filmfare awards introduce a new category for costume design, Manish Malhotra being the first recipient.
'We didn't know where the story was going. But I knew I was telling the story of an extremely lonely journalist.'
The film is a slow-paced family drama with all the elements of a commercial entertainer.
'This is a giant film, a magnum opus drunk on its own magnum-ity, and it is perfectly clear early on, as the narrative races out the gate and gauntlets are flung up in the air and shot through with arrows, that a film like this can only work as opera,' says Raja Sen.
India'sstartups have a good beginning but will they survive competition is a big questions which needs immediate attention.
Ira Singhal, the country's first differently-abled UPSC topper shares her secret to success and her big plans for India.
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