True misogyny is when you stop being curious about women, and Milind Dhaimade directs his actresses with a sense of wonder. Tu Hai Mera Sunday has delightful women characters, sketchy men, and individual threads that work better than the whole package, feels Sreehari Nair.
'When The Mehta Boys was offered to me, I wasn't very sure.' 'I was doing Bambai Meri Jaan and Khakee at that point. I felt I should do something bigger.' 'I felt a soft film is not what I would want to do.'
Sukanya Verma lists 10 terrific films available on OTT you need to watch right now.
Sukanya Verma quizzes you to find out just how much you know about the movies.
'It's no more just art and skills, it's a business.'
Vinod Mirani gives us his weekly verdict.
'If we are unable to move out of catering to people's tantrums or their unreasonable demands or people treating other people badly or being okay with differential treatment, it will affect the storytelling and the creativity.'
'How can so many misfortunes fall on one beautiful family?'
'Never in the history of Indian cinema did we have a distribution system for 240 countries, but we have it now.' 'And if we still keep catering to the B and C-tiers of our country, and not the whole world, then we are really being losers.' 'The visionaries of the industry must pull up their socks and say that now we will create for the world.'
The verdict for the week.
'I wanted to know whether I should stay in Paris or do something else, and in less than a week, I got the call for The Last Hour.'
'...it didn't make sense to me.' 'If the character was not adding (to the story), I wasn't interested.' 'The reason why I chose to act is because of the way it makes me feel when I'm acting, not for the fame and money.'
The top posts on social media from your favourite Bollywood celebrities.
Aseem Chhabra picks the finest Indian films in the 2010-2019 decade.
Aseem Chhabra picks the scenes that left him impressed this year.
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