Shiva's fans will be disappointed as the film has nothing new to offer.
What is noticeable in both movies is the willingness with which both the ageing stars -- Kamal is 68 and Rajini, four years older at 72 with a kidney transplant that he has not shied away from acknowledging -- have learnt to respect their age and bodies, notes N Sathiya Moorthy.
This is a film written for an audience that thrives on Vijay's stardom and it satisfies them thoroughly, observes Divya Nair.
Rajinikanth's style isn't his only talking point...
Sheela Bhatt travels with Priyanka Gandhi deep into the villages of Amethi and Rae Bareli and discovers that all is not well in the pocket borough of the Congress First Family.
Nagma talks about her experiences acting with Rajnikanth.
Rajinikanth's visible electoral strength is his constant mouthing of the term, 'aanmiga arasiyal', or 'spiritual politics', without he having to explain what it is. By implication, it is all that what Dravidian politics is not about. It may imply anti-corruption, being against Periyar's forgotten anti-god, anti-Brahmin dictum, but also ends up covering 'Tamil pride', which begins with Tamil language where, as a Maratha from Karnataka, he has more to defend himself. However, in the contemporary national context, aanmiga arasiyal is seen as a front for Rajini to market his brand of 'soft Hindutva' but identified even more with the BJP and Prime Minister Narendra Modi, in political terms, says N Sathiya Moorthy.
There is a political vacuum emerging in Tamil Nadu, but can the Superstar, the state's biggest phenomenon since the late MGR, take advantage of it? Does he have what it takes to enter politics, or is he merely ensuring headlines ahead of his film's release, asks N Sathiya Moorthy.
Superstar Rajinikanth needs a box-office hit after two successive flops in Kochchadaiyaan and Lingaa, both 2014. Yet, Kabali is being projected as if the fans need the film, and the Tamil film industry needs it even more, says N Sathiya Moorthy.