The hits and misses of the week.
The hits and misses of the week.
The hits and misses of the week.
'These days you are the main inspiration for a lot of young film-makers. They are mimicking your films.'
The hits and misses of the week.
Both films will fall short of target.
The hits and misses of the week.
'We are talking about history, about things that transpired.' 'If we don't know our history, we will never be able to evolve as individuals.'
'Basuda welcomed viewers into a world that was instantly familiar and comfortable,' observes Sukanya Verma.
'It is intense, riveting, clever, dark, sad, lyrical, heartfelt, relevant and understated,' says Sukanya Verma.
Roy is so tangled in its inflated, erratic ideas of a pseudo mystery around parallel lives and loves that it ceases to make sense even before it takes of
'The way the daredevil feats are set up, they don't have the maniacal feeling of actual gun battles, or good jazz, or a whacked-out dance performance -- they just don't provide you that giddy tingle you go looking for in such films,' feels Sreehari Nair.
'This is a movie made with this gaze fixed on its immediate well-wishers, while at the same time it squints hard looking for those swaying back and forth on the fence,' notes Rohit Sathish Nair.
'In my personal life, I honestly find it very difficult to express my anger.' 'And then, when you are a public figure, you feel watched that much more and then you are all the more careful.' 'Begum Jaan, therefore, was the answer to my angst.'
'The standing ovation in Cannes was a rare moment where I felt patriotic. I realised that the audience was not clapping for an individual but for the team that came from India with such a beautiful film.' Masaan's leading man Vicky Kaushal takes us through its making.
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