Even with its flaws, Toh, Ti Ani Fuji stays with you because of how real it feels, notes Mayur Sanap.
Sukanya Verma gives you options from all the action promised on OTT this week.
Vaalvi is likely to become a cult film, appreciated by those with a warped sense of humour, predicts Mayur Sanap.
Director Paresh Mokashi talks about his film Harishchandrachi Factory, India's entry for Oscars 2010.
Director Paresh Mokashi deserves a pat on his back for making such a low budget film with such great actors, and such interesting direction.
India's oscar entry this year is a marathi film. The director, Paresh Mokashi talks about the film.
If we don't want a Hindu version of our neighbour, we must keep open minds -- even when what we hear or see is not what we like.
Aseem Chhabra picks the finest Indian films in the 2010-2019 decade.
Sumedha Raikar-Mhatre examines the Marathi film industry, which annually produces around 190 dissimilar films that requires an investment of Rs 400 crores.
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