'Dibakar Banerjee isn't simply giving a particular fascistic regime the finger.' 'Here, he wants to offer us a preview of the invisible forces and human tendencies that drive fascism, blind conformity, and mass hysteria,' says Sreehari Nair.
'Just as success is not real, I believe failures are also not real.' 'It's just like opinions of people who don't really know you.'
Raman Raghav 2.0 is unlikely to be remembered as one of Anurag Kashyap's finest movies.
Indira Kannan picks Made in Bangladesh, Greed, Moothon.
'It's not easy being an actor for anyone.' 'Every actor, even the most successful ones, are waking up with the same insecurity.' 'If you're on top, you're worried about coming down.' 'If you're fit, you're worried about your stomach coming out.'
'There is no way you can view the movie from a distance, from a moral high ground, and get to its core.' 'To truly appreciate what Anurag Kashyap is trying to do here, you may have to lose a part of yourself to it, first,' says Sreehari Nair.
And you won't guess which film tops Raja's list! And why.
'Masaan is history for me. This is another journey with Raman Raghav 2.0. You have to clean your slate after every film, and not let its success or failure affect you.' Vicky Kaushal moves on, with Raman Raghav 2.0.
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